<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><strong>The fifth volume in the Duchamp Research Centre's <i>Poiesis</i> series examines the artist's work from philosophical, art historical, and literary perspectives</strong></p><p>With his sharp wit and love of controversy, Marcel Duchamp (1887-1968) pushed every possible boundary in the art world across his vast body of work, from his iconic urinal-as-sculpture <i>Fountain</i> piece to his drag alter ego Rrose Sélavy. <p/>Founded in 2009, the Duchamp Research Centre operates out of the Staatliche Museum Schwerin in Germany, using its impressive 92-piece Duchamp collection as the basis for its interdisciplinary exploration of the artist's life and work. Since 2011, the Research Centre has published the results of its investigations in a series entitled <i>Poiesis</i> after the philosophical term for bringing something new into existence--an idea that perfectly describes Duchamp's pioneering work. This is the fifth volume in the series.</p>
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