Brazilian Bodies and Their Choreographies of Identification - (New World Choreographies) by Cristina F Rosa (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br>"Brazilian Bodies and their Choreographies of Identification retraces a method of swaying the body, particular to Brazil, which is commonly known as ginga. The book combines historiography and ethnography with movement analysis using a set of analytical tools compiled and tailored from distinct disciplines. As such, Cristina F. Rosa creates a 'toolbox' to map, more specifically, the presence of this polycentric and polyrhythmic system across distinct and specific realms: samba-de-roda (samba-in-a-circle) dances, capoeira angola games, and the repertoire of Grupo Corpo, a contemporary dance company based in Belo Horizonte (MG). This fascinating book examines how ginga functions at the bodily level, the multiple roles it assumes in each of these realms, and the effects that it mobilizes through choreographed and/or improvised movements, gestures, and intentions. It is an important resource for all scholars and students of international dance"--<p/><br></br><p><b> Book Synopsis </b></p></br></br>Brazilian Bodies and their Choreographies of Identification retraces a method of swaying the body, particular to Brazil, which is commonly known as ginga. The book combines historiography and ethnography with movement analysis using a set of analytical tools compiled and tailored from distinct disciplines. As such, Cristina F. Rosa creates a 'toolbox' to map, more specifically, the presence of this polycentric and polyrhythmic system across distinct and specific realms: samba-de-roda (samba-in-a-circle) dances, capoeira angola games, and the repertoire of Grupo Corpo, a contemporary dance company based in Belo Horizonte (MG). This fascinating book examines how ginga functions at the bodily level, the multiple roles it assumes in each of these realms, and the effects that it mobilizes through choreographed and/or improvised movements, gestures, and intentions. It is an important resource for all scholars and students of international dance.</p><p/><br></br><p><b> About the Author </b></p></br></br>Cristina F. Rosa is a native of Brazil who migrated to the US in 1996. She is currently a full-time faculty lecturer in dance at Tufts University. Her research interests include the intersection of embodiment, knowledge production, and processes of identification. She has been published in <em>TDR</em> and <em>e-misférica</em>. She previously taught in the US at Reed College, the University of California, Riverside, the Florida State University, and the California Institute of the Arts. She has also served as a research fellow at Freie Universität Berlin's International Research Center 'Interweaving Performance Cultures' (Germany, 2012-13). She earned her PhD from the University of California, Los Angeles.
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