<p/><br></br><p><b> About the Book </b></p></br></br>Cover title with additional contributors for statement of responsibility taken from chapter listing.<p/><br></br><p><b> Book Synopsis </b></p></br></br>This book is specially designed in Amazon's fixed-layout KF8 format with region magnification. Double-tap on an area of text to zoom and read. When Black graduate student Lyndsey begins her dissertation work on a mysterious box that pops up during the most violent and troubled time in Africana history, she has no idea that her research will lead her on a phantasmagorical journey from West Philadelphia riots to Haitian slave uprisings. Wherever Lyndsey finds someone who has seen the Box, chaos ensues. Soon, even her own sanity falls into question. In the end, Lyndsey will have to decide if she really wants to see what's inside the Box of Bones. Described as "Tales from the Crypt Meets Black History," <i>Box of Bones</i> is a supernatural nightmare tour through some of the most violent and horrific episodes in the African Diaspora. Jama-Everett and Jennings have assembled a talented group of artists for this ten-issue project, including cover artist, Stacey Robinson (<i>I Am Alfonso Jones</i>), David Brame (<i>MediSIN</i>), Avy Jetter (<i>APB: Artists against Police Brutality</i>), and Tim Fielder (<i>Matty's Rocket</i>). The first issue (penciled by Jennings) will appear digitally later this fall with the first five-issue trade paperback appearing in late summer 2018.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"<i>Box of Bones </i>is a brilliantly disturbing nightmare. It manages to be both beautiful and disgusting with every turn of the page as it explores a gruesome horror that I've never seen in comics before." --David Walker<br><br>"As a lifelong horror lover who savors stories where horror intersects with Black history and family lore, I devoured BOX OF BONES and marveled at every page. Ayize Jama-Everett and John Jennings have created a revolutionary, unforgettable journey I was happy to risk the nightmares for." --Tananarive Due<br><br>"Centuries of oppression, of violence, of torture, but still we don't let it loose. What might happen if we did? The price for revenge is too high, this is the thing we guard. The real helter skelter. This is the<i> Box of Bones</i>. " --Nalo Hopkinson<br><p/><br></br><p><b> About the Author </b></p></br></br><b>Ayize Jama-Everett </b>was born in 1974 and raised in Harlem, New York. Since then he has traveled extensively in Northern Africa, New Hampshire, and Northern California. He holds a Master's in Clinical Psychology and a Master's in Divinity. He teaches religion and psychology at Starr King School for the Ministry when he's not working as a school therapist at the College Preparatory School. He is the author of three novels, <i>The Liminal People, The Liminal War</i>, and <i>The Entropy of Bones</i>, as well as an upcoming graphic novel with illustrator John Jennings entitled <i>Box of Bones</i>. When not educating, studying, or beating himself up for not writing enough, he's usually enjoying aged rums and practicing his aim. A Mississippi native and University of Illinois native, <b>John Jennings</b> is an Associate Professor of Visual Studies at The State University of New York at Buffalo. Jennings is an award-winning graphic novelist and author. His research and teaching focus on the analysis, explication, and disruption of African American stereotypes in popular visual media.
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