Daughter - by Janice Lee (Paperback)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br>[BLACK AND WHITE EDITION] "Janice Lee is a genius." - Eileen Myles, author of Inferno (a poet's novel) ART: Original Holga photographs by Rochelle Ritchie Spencer SOUND: original music by Resident Anti-Hero "Daughter is quantum. There is a girl, there is an octopus, there is language -- in minimal bursts of physical intensities, their magnitude measured in intimate discretes. Janice Lee's prose is energy transfer of the elementary particles of the matter of language. There is a girl, there is an octopus, there is language, understood at the infinitesimal level. No other book ever written has entered my body and being so physically pure. There is not distance between the state of narrative and the matter of being. I turn the page of her body." - Lidia Yuknavitch, author of The Chronology of Water and Reel to Reel "Daughter, the new volume by Janice Lee, seems to rise as intuitive quantum ascent. It is praxis of the marred, of the seemingly uneven. Janice Lee understands that writing cannot exist as narrative outcome. In Daughter there is reckoning with the cosmos as phantom, as something that does and does not exist. Energies appear by means of paradox and evaporation." - poet Will Alexander, author of The Sri Lankan Loxodrome "In Daughter, Janice Lee floods the body of a book with the body of a body, all its hybrid, constantly damaging and mending cells. From field to field among the pages we are subject to a brain-damaged, collide-o-scopic file of some internet-age Acker'd Frankenstein having lived to see god die; and yet still must go on walking in the deity's corpse... The result is a meticulous and terrifying resurrection, a glitchy screamtext passed in dire silence to the reader the way blood passes from mother into child. - Blake Butler, author of There is No Year "Lee's surgical cadences and sharp fragments work here as writing will work-to force attention to detail. Which is the unnatural order of things. - Vanessa Place, author of La Medusa and Dies: A Sentence<p/><br></br><p><b> About the Author </b></p></br></br>Janice Lee is a writer, artist, editor, designer, curator, and scholar. Interested especially in the relationships between metaphors of consciousness, theoretical neuroscience, and experimental narrative, her creative work draws upon a wide variety of sources. Her obsessive research patterns lead her to making connections between the realms of technology, consciousness studies, design theory, the paranormal & occult, biological anthropology, psychology, and literary theory. Her work can be found in antennae, sidebrow, Action, Yes, Joyland, Luvina, Everyday Genius, elimae, Black Warrior Review, Peacock Online Review, and elsewhere. [See WRITING] She is the author of two highly acclaimed novels: KEROTAKIS (Dog Horn Press, 2010), a multidisciplinary exploration of cyborgs, brains, and the stakes of consciousness; and Daughter (Jaded Ibis, May 2011). She also has several chapbooks Red Trees, Fried Chicken Dinner (Parrot/Insert Press, Forthcoming), and Other Worlds (Eohippus Labs, Forthcoming). She is currently at work on a collaboration about conspiracy theories, time travel, and the Catholic church, and a novel about the technological singularity, the Christian rapture, and the consciousness of God. She has presented scholarly papers on topics such as consciousness studies, psychology, theoretical neuroscience, and experimental narrative at various conferences internationally. She holds a BA in Literature/Writing (with minors in Biological Anthropology & Film Studies) from UCSD and an MFA in Creative Writing from CalArts and currently lives in Los Angeles where she is Co-Editor of the online journal [out of nothing], Co-Founder of the interdisciplinary arts organization Strophe (which houses the curated series Novum), Reviews Editor at HTMLGIANT, and Founder/CEO of POTG Design. Most recently, she was selected by John D'Agata as Black Warrior Review's Nonfiction Grand Prize Winner and she currently teaches Graphic Texts & Interface Culture at CalArts.
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