Similar Products

Chronicles of Old San Francisco - by Gael Chandler (Paperback)

< 3 ay

Target USD

Cut by Cut - 2nd Edition by Gael Chandler (Paperback)

< 3 ay

Target USD

G is for Gael - by Shelayne Hanson (Paperback)

< 3 ay

Target USD

Essential Checklists for Directors and Boards - (Company Directors Masterclass) by Richard Winfield (Paperback)

< 3 ay

Target USD

Assert Yourself - by Gael Lindenfield (Paperback)

< 3 ay

Target USD

Quest for Redemption - by Jessie Chandler (Paperback)

< 3 ay

Target17.95 USD

John Bertalot's Immediately Practical Tips for Choral Directors - (Paperback)

< 3 ay

Target USD

Cinematography for Directors - 2nd Edition by Jacqueline Frost (Paperback)

< 3 ay

Target USD

Daily Paragraph Editing Grade 5 - (Paperback)

< 3 ay

Target USD

Daily Paragraph Editing Grade 3 - (Paperback)

< 3 ay

Target USD

Load more

Product info

<p/><br></br><p><b> About the Book </b></p></br></br>"This book helps film directors make their way through postproduction and explains what to expect from an editor. From thinking about editing during the shoot to hiring an editor to spotting and mixing sound and music, to delineating the purpose and types of VFX to completing a project with final sound, music, visuals, titles, DI, and color grading, the book covers all the practical aspects directors need to know. Along the way it details the history of editing, demystifies how editors approach cutting the footage and coaches the directors on how to best work with an editor to create and perfect the story and their vision of the film"--<p/><br></br><p><b> Book Synopsis </b></p></br></br>Editing for Directors guides directors through postproduction, starting with planning for editing during the shoot and ending with the completion of their film. This thorough, well-illustrated book: Describes the artistic, organizational, and technical skills editors bring to the party; Tells directors what to look for when hiring an editor and the best ways to work with an editor; Explains how and why directors should plan for editing before they shoot a frame; Devotes a full chapter to relating the history of editing and cutting tools and how they have affected the language of cinema and present-day editing; Defines and discusses cutting-room terms, practices, and workflows; Reveals how editors approach footage and put shows together; Details the postproduction process from dailies to director's cut to locked cut; Covers creating and overseeing VFX (video effects); Demystifies spotting the show with the sound and music crew and creating, editing, and mixing sound and music; Describes titling, color grading, the DI (digital intermediate) process, and producing your show's final deliverables; and Spells out ways to archive your show and why doing so matters.

Price History