The New Republic - (P.S.) by Lionel Shriver (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>Acclaimed author Lionel Shriver--author of the National Book Award finalist So Much for That, The Post-Birthday World, and the vivid psychological novel We Need to Talk About Kevin, now a major motion picture--probes the mystery of charisma in a razor-sharp new novel that teases out the intimate relationship between terrorism and cults of personality, explores what makes certain people so magnetic, and reveals the deep frustrations of feeling overshadowed by a life-of-the-party who may not even be present.<P>"Shriver is a master of the misanthrope. . . . [A] viciously smart writer." --Time<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><strong>"Shriver is an incisive social satirist with a clear grip on the ironies of our contemporary age . . . [Her] take on journalism and international politics is wry, insightful and just over the top enough to be fun." --<em>Los Angeles Times</em></strong><br/></p><p><strong><em>New York Times </em>bestselling author Lionel Shriver probes the mystery of charisma in a razor-sharp novel that teases out the intimate relationship between terrorism and cults of personality, explores what makes certain people so magnetic, and reveals the deep frustrations of feeling overshadowed by a life-of-the-party who may not even be present</strong></p><p>Ostracized as a kid, Edgar Kellogg has always yearned to be popular. A disgruntled New York corporate lawyer, he's more than ready to leave his lucrative career for the excitement and uncertainty of journalism. When he's offered the post of foreign correspondent in a Portuguese backwater that has sprouted a homegrown terrorist movement, Edgar recognizes the disappeared larger-than-life reporter he's been sent to replace, Barrington Saddler, as exactly the outsize character he longs to emulate. Infuriatingly, all his fellow journalists cannot stop talking about their beloved Bear, who is no longer lighting up their work lives.</p><p>Yet all is not as it appears. <em>Os Soldados Ousados de Barba</em>--The Daring Soldiers of Barba--have been blowing up the rest of the world for years in order to win independence for a province so dismal, backward, and windblown that you couldn't give the rat hole away. So why, with Barrington vanished, do terrorist incidents claimed by the SOB suddenly dry up?</p><p>A droll, playful novel, <em>The New Republic</em> addresses weighty issues like terrorism with the deft, tongue-in-cheek touch that is vintage Shriver. It also presses the more intimate question: What makes particular people so magnetic, while the rest of us inspire a shrug? What's their secret? And in the end, who has the better life--the admired, or the admirer?</p><p/><br></br><p><b> From the Back Cover </b></p></br></br><p>Edgar Kellogg has always yearned to be popular. When he leaves his lucrative law career for a foreign correspondent post in a Portuguese backwater with a homegrown terrorist movement, Edgar recognizes Barrington Saddler, the disappeared reporter he's replacing, as the larger-than-life character he longs to emulate. Yet all is not as it appears. <em>Os Soldados Ousados de Barba</em>--"The Daring Soldiers of Barba" --have been blowing up the rest of the world for years in order to win independence for a province so dismal and backward that you couldn't give the rathole away. So why, with Barrington vanished, do incidents claimed by the "SOB" suddenly dry up? A droll, playful novel, <em>The New Republic</em> addresses terrorism with a deft, tongue-in- cheek touch while also pressing a more intimate question: What makes particular people so magnetic, while the rest of us inspire a shrug?</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br>"Shriver is an incisive social satirist with a clear grip on the ironies of our contemporary age . . . [Her] take on journalism and international politics is wry, insightful and just over the top enough to be fun."--<em>Los Angeles Times</em><br><br>"A very funny book, but the laughs are embedded in a deeply disturbing subject."--NPR, Weekend Edition<br><br>"[Shriver's] whip-smart observations--about relationships, the role of the media, the cult of personality are funny and on the mark."--<i>People</i><br><br>"[Shriver] is uncannily perceptive[with a] vigorous capacity for compassion . . . [A] surprisingly tender novel disguised as a clever satire delivered in polished prose."--<i>Philadelphia Inquirer</i><br><br>"A wondrously fanciful plot, vividly drawn characters, clever and cynical dialogue, and a comically brilliant and verisimilar imagined land. . . . <i>The New Republic</i> is simply terrific."--<i>Booklist</i> (starred review)<br><br>"In her latest novel, Lionel Shriver pays homage to Joseph Conrad--examining terrorism, media bloodlust, and the cult of personality through an unexpected lens of satire."--<i>Marie Claire</i>, Four New Page-Turners to Keep Bedside<br><br>"Lionel Shriver, the author of the harrowing and patient <i>We Need to Talk About Kevin</i>, delivers something altogether different: a callous and romping political and journalistic satire."--<i>The Daily Beast</i>-- This Week's Hot Reads<br><br>"Part <i>Scoop</i>, part <i>Our Man in Havana</i> and part Len Deighton thriller, Shriver's novel is not just about terrorism but also about journalism and the nature of charisma. . . . Shriver's Barba is a wonderful creation."--<i>Financial Times</i><br><br>"Shriver has been a National Book Award finalist with good reason: Her page-turners examine serious issues."--<i>Reader's Digest</i> Recommends<br><br>"Shriver is cursed with knowing the human animal all too well. <i>The New Republic</i> is satire of a Shriver kind, that is to say biting."--<i>Miami Herald</i><br><br>"Shriver is one of the sharpest talents around."--<i>USA Today</i><br><br>"The dialogue zings and the writing is jazzy. . . . [Shriver] can toss off a sharp sketch of a passing character in a phrase, and she's got a gimlet eye for what's phony, or affected, or even touchingly vain in human behavior."--<i>Entertainment Weekly</i><br><br>"Witty, caustic and worldly, [Shriver] is a raconteur who could show even Barrington Saddler a thing or two about entertaining a crowd."--<i>Wall Street Journal</i><br>
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