<p/><br></br><p><b> Book Synopsis </b></p></br></br>If we denounce the artist, then what becomes of the work that remains? <p/>The #MeToo movement is overturning a cliché that has forgiven bad behaviour for years: to be creative is to be prone to eccentricity, madness, addiction and excess. No longer can artists be excused from the standards of conduct that apply to us all.<p/><br></br><p><b> About the Author </b></p></br></br><b>Ashleigh Wilson</b> is the arts editor of <i>The Australian. </i>He won a Walkley Award for his series on unethical behaviour in the Aboriginal art industry, which led to a Senate inquiry. He is also the author of <i>Brett Whiteley: Art, Life and the Other Thing</i> (2016).
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