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Master Harold and the Boys - (Vintage International) by Athol Fugard (Paperback)

Master Harold and the Boys - (Vintage International) by  Athol Fugard (Paperback)
Store: Target
Last Price: 12.49 USD

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<p/><br></br><p><b> About the Book </b></p></br></br>This play about a young white boy and two African servants is at once a compelling drama of South African apartheid and a universal coming-of-age story. Originally produced in 1982, it is now an acknowledged classic of the stage.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><b>A compelling drama of South African apartheid and a universal coming-of-age story, from the greatest active playwright in the English-speaking world (<i>Time</i>).</b> <p/>Originally produced in 1982, Master Harold and the Boys is now an acknowledged classic of the stage, whose themes of injustice, racism, friendship, and reconciliation traverse borders and time.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br>One of Fugard's most universal works of theatre. It operates on two levels: as the story of a loving but lacerating relationship between a black man and a white boy; and . . . as a powerful political statement about apartheid. --Mel Gussow, <i>New Yorker<br></i><br>The greatest active playwright in the English-speaking world. --<i>Time <p/></i>In <i>'Master Harold' . . . and the boys</i> the author has journeyed so deep into the psychosis of racism that all national boundaries quickly fall away, that no one is left unimplicated by his vision. . . . Mr. Fugard has forced us to face point-blank, our capacity for hate . . . but we're also left with the exultant hope that we may yet practice compassion without stumbling. . . . The choice, of course, is ours. Mr. Fugard's wrenching play, which insists that we make it, is beyond beauty.--Frank Rich, <i>The New York Times</i> An exhilarating play . . . a triumph of playmaking, and unforgettable! --<i>New York Post</i><br><p/><br></br><p><b> About the Author </b></p></br></br><b>Athol Fugard</b> was born in South Africa in 1932 and is an internationally acclaimed playwright. His best-known plays include <i>Bloodknot</i> (1961); <i>Boesman and Lena</i> (1969); <i>Sizwe Bansi Is Dead</i> (1972); <i>The Island</i> (1973), and <i>My Children! My Africa!</i> (1989).

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