<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>The bold and boundlessly original debut novel from the Oscar(R)-winning screenwriter of <i>Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, </i>and<i> Synecdoche, New York</i>.<br></b><br><b>LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE - "A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman's deep imagination, considerable writing ability and bull's-eye wit.--<i>The Washington Post<br></i></b><br><b>"An astonishing creation . . . riotously funny . . . an exceptionally good [book]."--<i>The New York Times Book Review - </i>"Kaufman is a master of language . . . a sight to behold."--NPR</b> <br><b><br>NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND <i>MEN'S HEALTH</i></b> <p/> B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider--a film he's convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made--a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete--B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. <p/> All that's left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of "likes" and arbitrary denunciations that are simultaneously his bête noire and his raison d'être. <p/> A searing indictment of the modern world, <i>Antkind </i>is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself--the grain of truth at the heart of every joke.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"There is something about this book's extravagantly appointed lunacy that makes the lunacy of real life feel (briefly) more manageable."<b>--<i>The Wall Street Journal</i></b> <p/>"Outrageously funny . . . a dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman's deep imagination, considerable writing ability and bull's-eye wit."<b>--<i>The Washington Post</i></b> <p/>"An astonishing creation . . . riotously funny . . . exceptionally good."<b>--<i>The New York Times Book Review</i></b> <p/>"A sight to behold . . . Kaufman is a master of language."<b>--NPR</b> <p/>Kaufman successfully blends the brain-wrapping narrative complexity of a Reddit wormhole with the laugh-a-page aplomb of Kurt Vonnegut."<b><i>--Entertainment Weekly</i></b> <p/><i>"Antkind</i> is Kaufman pushing himself to every formal and social limit, no holds barred, bleak and devastating, yet marvelous."<b><i>--Los Angeles Review of Books</i></b> <p/>"This is a whopper of a book, bursting with the driest of humor, the strangest of scenarios, and the most brilliant of observations. It is wholly original, maddening, and marvelous."<b>--Susan Orlean, author of <i>The Library Book <p/></i></b><i>Antkind</i> is unbridled Kaufman energy and wit coming up against the limits of the imagination itself: discursive, subversive, and genuinely funny.<b>--Joshua Ferris, author of <i>Then We Came to the End</i></b> <p/> "Each page is so stuffed with invention, audacity, and hilarity, it feels like an act of defiance. <i>Antkind</i> is a fever dream you don't want to be shaken awake from, a thrill ride that veers down stranger and stranger alleys until you find yourself in a reality so kaleidoscopic you will question your own sanity."<b>--Maria Semple, author of <i>Where'd You Go, Bernadette <p/></i></b>"Magnificent, genius, enraging, mysterious, joyous, terrifying, and, above all, hilarious! Within its pages, <i>Antkind</i> might contain the universe."<b>--Andrew Sean Greer, Pulitzer Prize-winning author of <i>Less</i></b> <p/>"A tribute to the absurdity of story and ego and obsession that manages to criticize all of this as fiercely as it embraces it all, <i>Antkind</i> is as funny and brilliant and utterly idiosyncratic as you could ever hope. I couldn't put it down, which is saying a lot, because holy shit, is it heavy."<b>--Mat Johnson, author of <i>Pym</i> and <i>Loving Day</i></b> <p/>"[It commands] attention from start to finish for its ingenuity and narrative dazzle. Film, speculative fiction, and outright eccentricity collide in a wonderfully inventive yarn--and a masterwork of postmodern storytelling."<b>--<i>Kirkus Reviews</i> (starred review)</b> <p/>"Pynchonesque . . . Kaufman's debut brims with screwball satire and provocative reflections on how art shapes people's perception of the world."<b>--<i>Publishers Weekly</i> (starred review) <p/></b>"This novel is magnificently imaginative, bringing to mind Beckett, Pynchon, and A. R. Moxon's more recent <i>The Revisionaries</i> (2019). With this surprisingly breezy read, given its length, Kaufman proves to be a masterful novelist, delivering a tragic, farcical, and fascinating exploration of how memory defines our lives."<b><b>--<i>Booklist</i></b></b><br><p/><br></br><p><b> About the Author </b></p></br></br><b>Charlie Kaufman </b>is the screenwriter of many films, such as <i>Anomalisa</i>; <i>Synecdoche, New York</i>; <i>Adaptation</i>; <i>Eternal Sunshine of the Spotless Mind</i>; and <i>Being John Malkovich</i>. He won an Academy Award for his work on <i>Eternal Sunshine of the Spotless Mind</i> and has been nominated three additional times. Kaufman is also a three-time BAFTA winner for screenwriting, and he has been nominated for three Golden Globe Awards, among many other film honors.
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