<p/><br></br><p><b> Book Synopsis </b></p></br></br>The radical project <i>an Exhibit</i> (mounted in 1957 at Hatton Gallery, Newcastle, and the Institute of Contemporary Arts, London) emerged from a decade of testing the formats and possibilities of exhibition making, resulting in a show with the motto "No objects, no ideas." A collaboration between two artists, Richard Hamilton and Victor Pasmore, and a critic and curator, Lawrence Alloway, the show was simultaneously an investigation into abstract environmental forms and a participatory experiment that would fundamentally transform the role of the viewer. <p/>In this volume, comprehensive documentation of the original exhibition is presented alongside coverage of other key projects from the era and contextualized in a detailed essay by Elena Crippa. Archival texts conveying the different voices of the project's three creators, and a contemporaneous essay by David Sylvester, are accompanied by new contributions from Martin Beck, Owen Hatherley and Lucy Steeds.
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