<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>What does it mean to be working-class in a middle-class world? Cynthia Cruz shows us how class affects culture and our mental health and what we can do about it -- calling not for assimilation, but for annihilation.</b> <p/><b>To be working-class in a middle-class world is to be a ghost. Excluded, marginalised, and subjected to violence, the working class is also deemed by those in power to not exist. We are left with a choice between assimilation into middle-class values and culture, leaving our working-class origins behind, or total annihilation.</b> <p/>In <i>The Melancholia of Class</i>, Cynthia Cruz analyses how this choice between assimilation or annihilation has played out in the lives of working-class musicians, artists, writers, and filmmakers -- including Amy Winehouse, Ian Curtis, Jason Molina, Barbara Loden, and many more -- and the resultant Freudian melancholia that ensues when the working-class subject leaves their origins to "become someone," only to find that they lose themselves in the process. <p/>Part memoir, part cultural theory, and part polemic, <i>The Melancholia of Class</i> shows us how we can resist assimilation, uplifting and carrying our working-class origins and communities with us, as we break the barriers of the middle-class world. There are so many of us, all of us waiting. If we came together, who knows what we could do.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>This is a vital book, deeply personal and charged with the kind of wisdom and solidarity that only belongs to those who understand what it feels like to be overlooked and left behind. - <b>Jim Gavin</b>, creator of <i>Lodge 49</i> <p/>An unprecedented reckoning with class and poverty as it relates to creative life in the modern age. Cruz forges a merciful new footing to state what's long overdue: that many of us have been dying while we write, and that the sorrow of surviving poverty, if at all, is a grief finally named in this courageous and deeply true work. - <b>Ocean Vuong</b>, author of <i>On Earth We're Briefly Gorgeous</i><br><p/><br></br><p><b> About the Author </b></p></br></br>Cynthia Cruz is the author of six collections of poems: Dregs, How the End Begins, Wunderkammer, The Glimmering Room, Ruin, and Guidebooks for the Dead. Disquieting: Essays on Silence, a collection of critical essays on marginalization and silence, was published by Book*hug in 2019. Her first work of fiction, a novella, Steady Diet of Nothing, is forthcoming. She teaches at the City College of New York and in the MFA Writing Program at Columbia University.
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