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The English translation of Allt Är Intet is "All Is Nothingness" <br/>- an apt enough title for a band already possessed of the <br/>scorched earth sonic tendencies and nihilist-leaning name <br/>of The End. Yet there's some ambiguity to that philosophy; <br/>the most bleak and despairing interpretation can be countered <br/>by a more all-embracing, one-with-the-universe meditativeness. <br/> <br/>Perhaps surprisingly, either conclusion proves to fit Allt Är Intet, <br/>the remarkable second full-length album by The End. <br/>The powerhouse international quintet is made up of <br/>Swedish saxophonist Mats Gustafsson <br/>(Fire!, The Thing), Norwegian saxophonist Kjetil Møster <br/>(Møster!, Zanussi 5), Ethiopian-born vocalist <br/>Sofia Jernberg (Fire! Orchestra, PAAVO), Norwegian <br/>guitarist Anders Hana (MoHa!, Ultralyd(, and Norwegian <br/>drummer Børge Fjordheim (Cloroform). <br/> <br/>Anyone familiar with these boundary-leaping musicians' <br/>work is familiar with their throttling ferocity and ability <br/>to stretch their music into brutal extremes with focused <br/>intensity, as evidenced throughout The End's audacious <br/>2018 debut, Svarmod Och Vemod Är Värdesinnen <br/>(which featured Deerhoof drummer Greg Saunier in lieu <br/>of Fjordheim). But their follow-up, achieved after <br/>two years of continued exploration together, strikes an <br/>exhilarating balance between it's predecessor's blistering <br/>maelstroms and a more densely layered and haunting beauty.

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