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<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>How has theatre engaged with the nation-state and helped to formulate national identities? What impact have migration and globalisation had on the relationship between theatre and nation? <p/><i>Theatre & Nation</i> explores how theatre institutions, playwrights, theatre-makers and performance artists engage with the nation, nationalism and national identity in their work. <p/>The book argues that theatrical representations of the nation are constantly in flux and that the way theatre engages with the nation changes according to different geographical, political, economic, social and cultural circumstances. Foreword by Nicholas Hytner.</p><p/><br></br><p><b> From the Back Cover </b></p></br></br><br/>How has theatre engaged with the nation-state and helped to formulate national identities? What impact have migration and globalisation had on the relationship between theatre and nation?<br/><br/><em>Theatre& Nation</em> explores how theatre institutions, playwrights, theatre-makers and performance artists engage with the nation, nationalism and national identity in their work. <br/>The book argues that theatrical representations of the nation are constantly in flux and that the way theatre engages with the nation changes according to different geographical, political, economic, social and cultural circumstances. <br/> <br/>Foreword by Nicholas Hytner.<br/><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p> Nadine Holdsworth's excellent book offers a persuasive overview of the ways nation and national identity have been present in a whole range of theatrical practices. Nicholas Hytner, Director of the National Theatre, London</p><p> <br></p>"<br><br><P> Nadine Holdsworth's excellent book offers a persuasive overview of the ways nation and national identity have been present in a whole range of theatrical practices. Nicholas Hytner, Director of the National Theatre, London<P> <BR>"<br><br><P>"Nadine Holdsworth's excellent book offers a persuasive overview of the ways nation and national identity have been present in a whole range of theatrical practices." --Nicholas Hytner, Director of the National Theatre, London<P> <BR><br><br><P>“Nadine Holdsworth's excellent book offers a persuasive overview of the ways nation and national identity have been present in a whole range of theatrical practices.” —Nicholas Hytner, Director of the National Theatre, London<P> <BR> <br><p/><br></br><p><b> About the Author </b></p></br></br><p>NADINE HOLDSWORTH is Associate Professor of Theatre and Performance Studies at the University of Warwick, UK. She is the author of Joan Littlewood and co-editor of The Blackwell Companion to Contemporary British and Irish Drama (with Mary Luckhurst).<br>NADINE HOLDSWORTH is Associate Professor of Theatre and Performance Studies at the University of Warwick, UK. She is the author of Joan Littlewood and co-editor of The Blackwell Companion to Contemporary British and Irish Drama (with Mary Luckhurst).</p>

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