<p/><br></br><p><b> About the Book </b></p></br></br>An anthology of top-selected Rolling Stone articles offers insight into both the late Thompson's early career and the magazine's fledgling years, in a volume that includes the stories of his infamous Freak Party sheriff campaign and his observations about the Bush-versus-Kerry presidential rivalry.<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>From the bestselling author of The Rum Diary and king of "Gonzo" journalism Hunter S. Thompson, comes the definitive collection of the journalist's finest work from <i>Rolling Stone</i>. <i>Fear and Loathing at Rolling Stone</i> showcases the roller-coaster of a career at the magazine that was his literary home.</b> <p/>"Buy the ticket, take the ride," was a favorite slogan of Hunter S. Thompson, and it pretty much defined both his work and his life. Jann S. Wenner, the outlaw journalist's friend and editor for nearly thirty-five years, has assembled articles--and a wealth of never- before-seen correspondence and internal memos from Hunter's storied tenure at <i>Rolling Stone</i>--that begin with Thompson's infamous run for sheriff of Aspen on the Freak Party ticket in 1970 and end with his final piece on the Bush-Kerry showdown of 2004. In between is Thompson's remarkable coverage of the 1972 presidential campaign and plenty of attention paid to Richard Nixon; encounters with Muhammad Ali, Bill Clinton, and the Super Bowl; and a lengthy excerpt from his acknowledged masterpiece, <i>Fear and Loathing in Las Vegas</i>. The definitive volume of Hunter S. Thompson's work published in the magazine, <i>Fear and Loathing at Rolling Stone </i>traces the evolution of a personal and professional relationship that helped redefine modern American journalism, presenting Thompson through a new prism as he pursued his lifelong obsession: The life and death of the American Dream.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"A reminder of how . . . in the right hands words are scalpels with which to both surgically excise and slash at the culture." --<i>Pittsburgh Post-Gazette</i><br><br>"A tome as varied and enthralling in its contents as Thompson's satchel." --<i>Men's Journal</i><br><br>"An American original. He hit the high notes out on the ragged edge, and thousands of us heard him above the canned din of the safe center." --<i>Los Angeles Times</i><i></i><br><br>"Glorious . . . You can witness Thompson's development and deterioration unspool in real time." --Matt Labash, <i>The Wall Street Journal</i><br><br>"Wenner rolls out only the good stuff . . . You know what they say, <i>If you got 'em . . . read 'em.</i>" --<i>Vanity Fair</i><i> </i><br>
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