The Devil's Cloth - (European Perspectives: A Social Thought and Cultural Criticism) by Michel Pastoureau (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br>What do prostitutes, referees, and Renaissance clowns have in common? They all wear stripes, and "The Devil's Cloth" tells readers why. 14 halftones.<p/><br></br><p><b> Book Synopsis </b></p></br></br>Michel Pastoureau's lively study of stripes offers a unique and engaging perspective on the evolution of fashion, taste, and visual codes in Western culture. <p/><i>The Devil's Cloth</i> begins with a medieval scandal. When the first Carmelites arrived in France from the Holy Land, the religious order required its members to wear striped habits, prompting turmoil and denunciations in the West that lasted fifty years until the order was forced to accept a quiet, solid color. The medieval eye found any surface in which a background could not be distinguished from a foreground disturbing. Thus, striped clothing was relegated to those on the margins or outside the social order--jugglers and prostitutes, for example--and in medieval paintings the devil himself is often depicted wearing stripes. The West has long continued to dress its slaves and servants, its crewmen and convicts in stripes. <p/>But in the last two centuries, stripes have also taken on new, positive meanings, connoting freedom, youth, playfulness, and pleasure. Witness the revolutionary stripes on the French and United States flags. In a wide-ranging discussion that touches on zebras, awnings, and pajamas, augmented by illustrative plates, the author shows us how stripes have become chic, and even, in the case of bankers' pin stripes, a symbol of taste and status. However, make the stripes too wide, and you have a gangster's suit--the devil's cloth indeed!<p/><br></br><p><b> From the Back Cover </b></p></br></br>Discover why most national flags have stripes, the difference between the "aristocratic stripe" and the "peasant stripe", the connection between the stripe and music, and why prisoners wear black and white stripes.<P>"The stripe doesn't wait, doesn't stand still. It is in perpetual motion (that's why it has always fascinated artists: painters, photographers, filmmakers), animates all it touches, endlessly forges ahead, as though driven by the wind".<P>-- from The Devil's Cloth<p/><br></br><p><b> Review Quotes </b></p></br></br><br><i>The Devil's Cloth</i> kept this reader at the edge of her seat.--Seattle Times<br><br>[An] intriguing little book.--Library Journal<br><br>[A] unique little book.--Forbes FYI<br><br>An oddball and charming little biography of a very devious pattern. Who knew that striped fabrics, now a kind of a shorthand for Class, were, from medieval times onward, so fraught with dangerous meaning?--Esquire<br><br>Reading about the epic implications of stripes... you feel like a child gleefully taking apart a toy, examining its small components one by one, then putting it back together. You've figured out how it works, how its parts relate to the whole. Only that toy is the entire history of the universe. What could be more empowering?--New York Times (National edition)<br><br>Pastoureau... is eminently qualified to explore the stripe's peculiar historical trajectory....<i>The Devil's Cloth</i> gets to the heart of matters like the way we perceive color and pattern, and speculates interestingly on whether these perceptions derive from nature or nurture.... this playful but learned book will doubtless have an influence.--Angeline Goreau "The New York Times Book Review "<br><br>Thinking of wearing that pinstriped suit for lunch with the boss? Or that fancy silk tie? Just be thankful that you didn't live a few hundred years ago, when a getup like that would not only have blown any chance for a raise but could very well have gotten you killed.... It was this unlikely observation that prompted Mr. Pastoureau's book.--Emily Eakin "The New York Times "<br><p/><br></br><p><b> About the Author </b></p></br></br>Michel Pastoureau is a leading authority on medieval heraldry. He is the coauthor of <i>The Bible and the Saints</i> and <i>Heraldry: An Introduction to a Noble Tradition.</i>
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