For His Eyes Only - by Lisa Funnell (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>The first book-length anthology on femininity and feminism in the Bond series<p/><br></br><p><b> Book Synopsis </b></p></br></br>The release of <i>Skyfall</i> in 2012 marked the fiftieth anniversary of the James Bond film franchise. It earned over one billion dollars in the worldwide box office and won two Academy Awards. Amid popular and critical acclaim, some have questioned the representation of women in the film. From an aging M to the limited role of the Bond Girl and the characterization of Miss Moneypenny as a defunct field agent, <i>Skyfall</i> develops the legacy of Bond at the expense of women. <p/>Since <i>Casino Royale</i> (2006) and its sequels <i>Quantum of Solace</i> (2008) and <i>Skyfall</i> constitute a reboot of the franchise, it is time to question whether there is a place for women in the new world of James Bond and what role they will play in the future of series. This volume answers these questions by examining the role that women have historically played in the franchise, which greatly contributed to the international success of the films. <p/>This academic study constitutes the first book-length anthology on femininity and feminism in the Bond series. It covers all twenty-three Eon productions as well as the spoof <i>Casino Royale</i> (1967), considering a range of factors that have shaped the depiction of women in the franchise, including female characterization in Ian Fleming's novels; the vision of producer Albert R. Broccoli and other creative personnel; the influence of feminism; and broader trends in British and American film and television. The volume provides a timely look at women in the Bond franchise and offers new scholarly perspectives on the subject.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>An illuminating and provocative new contribution to 'Bondology.'--Journal of British Cinema and Television<br><br>At long last, a book about the women of Bond that not only fills a gap in Bond scholarship but also contributes to a wider understanding of the representation of women, and the relationship between gender politics and the media. This is an eye-opening collection for anyone who wants to see beyond the iconic images from past and present to consider that the world of Bond is nothing without women, and that understanding the representation of women in the franchise is a complex process.--Claire Hines, Southampton Solent University<br><br>This comprehensive and impressive collection of essays is essential for those working within the burgeoning area of 'Bond studies'. It covers a broad spectrum of topics, from the colonisation of the black and Asian female agent's body to the franchise's troubled negotiation of patriarchy and feminism, and from the articulation of female desire to the problem of female authority in the Bond fantasy. The book is absolutely up to date, with a whole section devoted to <i>Skyfall </i>and to Judi Dench's legacy as M. Containing contributions from established and emerging scholars, its combination of breadth and depth makes it both a pleasure to read and an important addition to the literature on the subject.--Estella Tincknell, University of the West of England<br><br>This extensive yet accessible collection forms a vital and timely addition to the existing academic literature on the Bond franchise. Drawing together international and interdisciplinary perspectives, the book offers diverse critical approaches to the close analysis of gender, sexuality, ethnicity, age, national identity and power in the films. It is essential reading for students and scholars alike.--Sarah Gilligan, Hartlepool College<br><p/><br></br><p><b> About the Author </b></p></br></br>Lisa Funnell is assistant professor in the Women's and Gender Studies Program at the University of Oklahoma. She is the author of <i>Warrior Women: Gender, Race, and the Transnational Chinese Action Star</i> and has published extensively on gender in the James Bond franchise.
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