Tyll - by Daniel Kehlmann (Paperback)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br><b><i>The New York Times</i> Best Historical Fiction of 2020</b> <br><b><i>The Guardian'</i>s Best Fiction of 2020<br><i>Thrillist</i>'s Best Books of the Year</b> <p/><b>Daniel Kehlmann transports the medieval legend of the trickster Tyll Ulenspiegel to the seventeenth century in an enchanting work of magical realism, macabre humor, and rollicking adventure. </b> <p/>Tyll is a scrawny boy growing up in a quiet village until his father, a miller with a forbidden interest in alchemy and magic, is found out by the church. After Tyll flees with the baker's daughter, he falls in with a traveling performer who teaches him his trade. As a juggler and a jester, Tyll forges his own path through a world devastated by the Thirty Years' War, evading witch-hunters, escaping a collapsed mine outside a besieged city, and entertaining the exiled King and Queen of Bohemia along the way. <br>The result is both a riveting story and a moving tribute to the power of art in the face of the senseless brutality of history. <p/><i>Translated from the German by Ross Benjamin</i><p/><br></br><p><b> Review Quotes </b></p></br></br><br><b>**Shortlisted for the Booker International Prize**<br></b><br>"Brilliant and unputdownable." -<b>Salman Rushdie</b> <p/> "Profoundly enchanting. . . . A magnificent story. . . . A spellbinding memorial to the nameless souls lost in Europe's vicious past, whose whispers are best heard in fables." <b>--<i>The New York Times Book Review</i></b> <p/> "Kehlmann is a gifted and sensitive storyteller. . . . He is a playful realist, a rationalist drawn to magical games and tricky performances, a modern who likes to look backward. . . . Brilliant." <b>--<i>The New Yorker</i></b><br> <b><i> </i></b><br> "Prodigiously imaginative. . . . Brilliant, blackly sardonic. . . . In Mr. Kehlmann's unforgettable joker we have a picture of humankind in all of its madness and strutting pride." <b>--<i>The Wall Street Journal <p/> </i></b>"Kehlmann, like Tyll, is a trickster. . . . Entertaining us like a jester on a tightrope and reminding us of the danger of a fall." <b><i>--Washington Post </i></b> <p/>"A laugh-out-loud-then-weep-into-your-beer comic novel about a war. . . . Ambitious, clever, tricksy, self-reflective. . . . It's operatic in its gestures and heartbreaking in its absurdity." <b>--<i>The Times</i> (UK)</b> <p/> "A rip-roaring yarn. . . . It plunges a modern reader into an astonishingly violent and dirty alternative reality. . . . But <i>Tyll</i> is a very funny novel, too. . . . There are many ways in which this strife-torn Europe, fractured by religion, intolerance and war, is a reflection of our own times." <b>--<i>The Guardian</i> <p/> </b><br><p/><br></br><p><b> About the Author </b></p></br></br><b>DANIEL KEHLMANN</b>'s works have won the Candide Prize, the Hölderlin Prize, the Kleist Prize, the Welt Literature Prize, and the Thomas Mann Prize. He was a fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library in 2016-17. <i>Measuring the World </i>has been translated into more than forty languages. <p/><b>ROSS BENJAMIN</b>'s previous translations include Friedrich Hölderlin's <i>Hyperion, </i>Joseph Roth's <i>Job, </i> and Daniel Kehlmann's <i>You Should Have Left. </i>He was awarded the 2010 Helen and Kurt Wolff Translator's Prize for his rendering of Michael Maar's <i>Speak, Nabokov, </i>and he received a Guggenheim fellowship for his work on Franz Kafka's diaries.
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