The Sounds of Poetry - by Robert Pinsky (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>Citing the work of 50 different poets--from Shakespeare and Donne to Elizabeth Bishop and Frank Bidart--the Poet Laureate explains the principles of the sounds of what is called poetry.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>The Poet Laureate's clear and entertaining account of how poetry works. <p/>Poetry is a vocal, which is to say a bodily, art, Robert Pinsky declares in <i>The Sounds of Poetry</i>. The medium of poetry is the human body: the column of air inside the chest, shaped into signifying sounds in the larynx and the mouth. In this sense, poetry is as physical or bodily an art as dancing. <p/>As Poet Laureate, Pinsky is one of America's best spokesmen for poetry. In this fascinating book, he explains how poets use the technology of poetry--its sounds--to create works of art that are performed in us when we read them aloud. <p/>He devotes brief, informative chapters to accent and duration, syntax and line, like and unlike sounds, blank and free verse. He cites examples from the work of fifty different poets--from Shakespeare, Donne, and Herbert to W. C. Williams, Frost, Elizabeth Bishop, C. K. Williams, Louise Glück, and Frank Bidart. <p/>This ideal introductory volume belongs in the library of every poet and student of poetry.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>"A keenly idiosyncratic account of the place of poetry in our time . . . not only interesting but suspenseful to read." --<i>James Longenbach, The Nation</i> <p/>"One of the marvelous things about this book is Pinsky's deep recognition that a poem is successful not because of the poet's ambition or sense of purpose but because of the effect it creates in the reader, and in many readers over time" --<i>Graham Christian, Boston Phoenix</i></p><br><p/><br></br><p><b> About the Author </b></p></br></br><p><b>Robert Pinsky</b> is Poet Laureate of the United States. FSG published <i>The Inferno of Dante</i> in 1994 and <i>The Figured Wheel</i> in 1996. He teaches in the graduate writing program at Boston University and lives in Newton Corner, Massachusetts.</p>
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