Aesthetic Marx - by Samir Gandesha & Johan F Hartle (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>The whole of Marx's project confronts the narrow concerns of political philosophy by embedding it in social philosophy and a certain understanding of the aesthetic. From those of aesthetic production to the "poetry of the future" (as Marx writes in the Eighteenth Brumaire), from the radical modernism of bourgeois development to the very idea of association (which defined one of the main lines of tradition in the history of aesthetics), steady references to Dante, Shakespeare and Goethe, and the idea that bourgeois politics is nothing but a theatrical stage: the aesthetic has a prominent place in the constellation of Marx's thought. This book offers an original and challenging study of both Marx in the aesthetic, and the aesthetic in Marx. It differs from previous discussions of Marxist aesthetic theory as it understands the works of Marx themselves as contributions to thinking the aesthetic. This is an engagement with Marx's aesthetic that takes into account Marx's broader sense of the aesthetic, as identified by Eagleton and Buck-Morss - as a question of sense perception and the body.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>The whole of Marx's project confronts the narrow concerns of political philosophy by embedding it in social philosophy and a certain understanding of the aesthetic. From those of aesthetic production to the poetry of the future (as Marx writes in the <i>Eighteenth Brumaire</i>), from the radical modernism of bourgeois development to the very idea of association (which defined one of the main lines of tradition in the history of aesthetics), steady references to Dante, Shakespeare and Goethe, and the idea that bourgeois politics is nothing but a theatrical stage: the aesthetic has a prominent place in the constellation of Marx's thought. <p/>This book offers an original and challenging study of both Marx in the aesthetic, and the aesthetic in Marx. It differs from previous discussions of Marxist aesthetic theory as it understands the works of Marx themselves as contributions to thinking <i>the aesthetic.</i> This is an engagement with Marx's aesthetic that takes into account Marx's broader sense of the aesthetic, as identified by Eagleton and Buck-Morss - as a question of sense perception and the body. It explores this through questions of style and substance in Marx and extends it into contemporary questions of how this legacy can be perceived or directed analytically in the present. <p/> By situating Marx in contemporary art debates this volume speaks directly to lively interest today in the function of the aesthetic in accounts of emancipatory politics and is essential reading for researchers and academics across the fields of political philosophy, art theory, and Marxist scholarship.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br>"The collection also includes essays on specific examples of aesthetics in Marxist political practice, for example the aesthetics of the communist world, the aesthetics of conceptual art in post-1968 Mexico, Marxist aesthetics in cinema, and the aesthetics of images of Marx. Summing Up: Recommended. Graduate students, researchers, faculty." - <i>CHOICE </i><br><p/><br></br><p><b> About the Author </b></p></br></br><p><b>Samir Gandesha </b>is Director at the Institute for the Humanities, Simon Fraser University, Canada.<br><b><br>Johan Hartle</b> is an Assistant Professor of Philosophy of Art and Culture at the University of Amsterdam, the Netherlands and Adjunct Professor for Aesthetics at the China Academy of Art, Hangzhou, China. He was visiting research fellow at Franz Rosenzweig Minerva Research Centre for German Jewish Studies at Hebrew University, Jerusalem and Humboldt Research Fellow at the Universitá Roma Tre. He is editor, along with Samir Gandesha, of <i>Reification and Spectacle. The Timeliness of Western Marxism </i>(2016).</p>
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