<p/><br></br><p><b> About the Book </b></p></br></br>A William Carlos William Award Finalist for 2012<BR>A "Kansas City Star "Top Book of 2012<BR>A "Library Journal" Top Winter Poetry Pick <BR>A series of semi-mythologized, symbolic narratives interspersed with dramatic monologues, the poems collected in "The City, Our City" showcase the voice of a young poet striking out, dramatically, emphatically, to stake his claim on "the City." It is an unnamed, crowded place where the human questions and observations found in almost any city--past, present, and future--ring out with urgency. These poems--in turn elegiac, celebratory, haunting, grave, and joyful--give hum to our modern experience, to those caught up in the City's immensity, and announce the arrival of a major new contemporary poet.<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>A William Carlos William Award Finalist for 2012</b><br><b>A <i>Kansas City Star </i>Top Book of 2012</b><br><b>A <i>Library Journal</i> Top Winter Poetry Pick</b> <p/>A series of semi-mythologized, symbolic narratives interspersed with dramatic monologues, the poems collected in <i>The City, Our City</i> showcase the voice of a young poet striking out, dramatically, emphatically, to stake his claim on "the City." It is an unnamed, crowded place where the human questions and observations found in almost any city--past, present, and future--ring out with urgency. These poems--in turn elegiac, celebratory, haunting, grave, and joyful--give hum to our modern experience, to those caught up in the City's immensity, and announce the arrival of a major new contemporary poet.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"Wayne Miller [is] among the best poets in the USA at the moment [. . .] <i>The City, Our City </i>is through-composed, coherent in the unity of its parts, and terribly moving." --<i>Notre Dame Review</i> <p/>"Miller's combination of allegory, stark imagism, surrealist panache, and sophisticated tonal movement create a poem that is as dynamic as the architectural space of his city." --Micah Bateman, <i>Kenyon Review Online</i> <p/>"However grimly real, some of these poems are also truly beautiful [. . .] <i>The City, Our City </i>[reminds] us that poets still know its their job to think big and to find all sorts of ways to make their poems big as well." --Herman Asarnow, <i>The Cincinnati Review</i> <p/>"[A] wide-ranging, fascinating series of poems that [. . . has] the city as character at its center, the city as a collective soul, the city as idea." --David Blomenberg, <i>Sycamore Review</i> <p/>"The urban spaces explored in Miller's third collection (after <i>The Book of Props</i>) are less evocative of Whitman's tumultuous Mannahatta than of T. S. Eliot's 'Unreal City' [. . .] Like Eliot, Miller reveals a flair for haunting imagery [. . .] but it is the metaphysics of silent despair that he captures most effectively[.] [Miller's] attempts to link the symbolic significance of cities with the deep human needs that made them inevitable are often riveting." --Fred Muratori, <i> Library Journal </i> <p/>"The muse of this exquisite collection is an imagined contemporary metropolis [. . .] that thrives simultaneously with the lost cities it has risen from and falls toward, allowing the poet's urbanites to grasp the continuity of human tragedy and joy." --<i>The Kansas City Star</i><br>
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