Gramophone, Film, Typewriter - (Writing Science) by Friedrich A Kittler (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>Part technological history of the emergent new media in the late 19th century, part theoretical discussion of the responses to these media--including texts by Rilke, Kafka, and Heidegger, as well as elaborations by Edison, Bell, Turing, and other innovators--this book analyzes this momentous shift using insights from Foucault, Lacan, and McLuhan.<p/><br></br><p><b> Book Synopsis </b></p></br></br>Part technological history of the emergent new media in the late 19th century, part theoretical discussion of the responses to these media-including texts by Rilke, Kafka, and Heidegger, as well as elaborations by Edison, Bell, Turing, and other innovators-this book analyzes this momentous shift using insights from Foucault, Lacan, and McLuhan.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>Friedrich Kittler proves a welcome exception to the standardized academic format of many of his German colleagues. . . . The excellent translation by Geoffrey-Winthrop Young and Michael Wutz is highly readable (no awkward Germanisms) and is preceded by a thorough and incisive introduction. . . . The present volume is Kittler's most accessible work so far, since it is written for expert and general reader alike.--<i>Johns Hopkins University Press</i><br><br>Kittler's broadband scholarly panoptics afford a sublime techno-discursive vista, and in particular a point of lucid observation on the ongoing relativization of literary production.--<i>American Book Review</i><br><br>Kittler's thesis is timely and intriguing. . . . To read this book is to take a wild ride through philosophy, music, the visual arts, popular culture, engineering, psychoanalysis, the history of science, literature, communication studies, film studies, and more. . . . This book belongs on any reading list in media studies, and should be essential for anyone interested in the intersections of comparative literature, literary theory, and media studies. <i>Gramaphone, Film, and Typewriter</i> is a stunning achievement. . . .--<i>The Comparalist</i><br><br>Recommended for graduate collections in media studies, especially those including European scholarship.--<i>Choice</i><br><p/><br></br><p><b> About the Author </b></p></br></br>Friedrich A. Kittler is a professor at the Institute for Aesthetics and Cultural Studies at Humboldt University, Berlin.
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