<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>Ali Banisadr's first major monograph delves into the Iranian painter's influences and practice.</b> <p/>Preeminent Iranian-American artist Ali Banisadr's canvases depict a complex swirl of action and abstracted figuration across a stagelike picture plane. Varied histories inform these paintings, ranging from the artist's synesthesia, to Persian miniatures, to the multi-figure works of Brueghel and Bosch, and the gestural imaginations of Willem de Kooning and Max Ernst. <p/>Born in Tehran in 1976, Ali Banisadr grew up during the Islamic revolution and the eight-year Iran-Iraq War. In 1988, he and his family emigrated to Turkey and then to California. In 2000, he moved to New York City where he currently lives and works.<p/><br></br><p><b> About the Author </b></p></br></br><b>Negar Azimi</b> is a writer and the senior editor of <i>Bidoun</i>. Her writing has appeared in <i>Artforum</i>, <i>Frieze</i>, <i>Harper's</i>, <i>The New Yorker</i>, and <i>The New York Times Magazine</i>. <b>Robert Hobbs</b>, an art historian and curator specializing in twentieth- and twentieth-first century art, is the author of over fifty books and major catalogues on topics ranging from Abstract Expressionism to Earth Art and from Modernism to Post-Modernism. <b>Joe Lin-Hill</b> is Deputy Director of the Albright-Knox Museum. <b>John Yau </b>is a poet and critic who lives in New York. He has published over fifty books of poetry, artists' books, fiction, and art criticism.
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