Jean-Philippe Delhomme: A Paris Journal - (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br>Jean-Philippe Delhomme, famed Paris-based illustrator, painter and cultural writer, knows his way around a paintbrush and has been jazzing up the likes of GQ, Wallpaper and W magazine with characterful depictions of faces, charming figures and lively street scenes for some time now. In 2015, he was asked by German newspaper Die Zeit to contribute a weekly column on Paris for their Sunday magazine. The project has now become Delhommes newest book, A Paris Journal. This slender publication features over 60 color plates chronicling Delhommes sensitive and humorous drawings of everyday life in Paris. From the celebrated swans in the Seine to the absurdities of the fashion-obsessed, the lighthearted illustrations offer salve to the two terrorist attacks that defined Paris in 2015. Delhomme has published several volumes of illustrated work, written a childrens book, Visit to Another Planet, plus two illustrated novels, and produces animated television commercials. August Editions past publication was Delhommes The Happy Hipster (2013).<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>In 2015 the French illustrator and writer Jean-Philippe Delhomme was asked by <i>Zeit Magazin, </i> the Sunday magazine of the German newspaper <i>Zeit, </i> to contribute a weekly column for the year about living in Paris. 2015 was an extraordinary and tumultuous year for Paris, with the <i>Charlie Hebdo</i> and the Bataclan terrorist attacks in January and November, which Delhomme covered with sensitivity and poignance. In between, he wrote about and illustrated the daily joys and frustrations of living in one of the world's most beloved cities, from daily walks with his dog Astor to discover Picasso's former studios, to the invasions of Uber and joggers in the Luxembourg gardens. As Delhomme writes in his Introduction, Paris, lost in its winter rains and dim light, is a trip through time. From its greyness, I came to realize, there were many stories to emerge if you had, maybe, the eyes of a dog to see them. The night recalls Brassaï, the hunching silhouette of Giacometti blurs in the winter fog, and Gertrude Stein's exhausted guests wait for a cab on rue de Fleurus, next to a contemporary princess commanding an Uber from her iPhone. </p>
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