World Film - by Martha P Nochimson (Paperback)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br>This uniquely engaging and lively textbook provides a comprehensive introduction to international film, from the golden age of European cinema to the contemporary blockbusters of India and Asia, and the post World War II emergence of global film culture. <ul> <li>Offers an overview of film culture in European countries such as France, Sweden and Spain, as well as Africa, Hong Kong, China, and India, in a clear and conversational style to engage the student reader</li> </ul> <ul> <li>Provides a detailed exploration of the impact of globalization on international cinema</li> </ul> <ul> <li>Includes a comprehensive companion website (<b>www.wiley.com/go/worldonfilm</b>) with an expansive gallery of film stills also found in the text, plus access to sample syllabi for faculty and a detailed FAQ</li> </ul> <ul> <li> <p>Addresses the differences in visual and narrative strategies between Hollywood-influenced movies and international cinema </p> </li> <li> <p>Highlights key words within the text and provides a comprehensive glossary of critical vocabulary for film studies</p> </li> <li> <p>Each chapter includes in-depth case studies of individual films and directors, cultural and historical context, selected filmographies, and ideas for projects, essays, and further research</p> </li> </ul><p/><br></br><p><b> From the Back Cover </b></p></br></br>This uniquely engaging and lively textbook provides a comprehensive introduction to international film, from the golden age of European cinema to the contemporary blockbusters of India and Asia, and the post-World War II emergence of global film culture. Providing students with basic background information on the home cultures and <i>auteurs</i> of world cinema, this engrossing text allows them to appreciate the significance of each film on its own terms. <p/> In each chapter, <i>World on Film</i> highlights the intersections between students' previous experiences with Hollywood and other mainstream film, and their new encounters with films from other cultures. Through in-depth discussions of individual films, and explanations of how these fit within the specific filmic and cultural history, Nochimson introduces sophisticated theories and concepts in clear and straightforward language. Including chapter summaries, key terms, discussion questions, suggestions for further reading, and illustrated with provocative film stills throughout, this comprehensive introduction demonstrates that cinema from other cultures and in other languages isn't so foreign after all.<p/><br></br><p><b> About the Author </b></p></br></br><b>Martha P. Nochimson</b> has taught in the Department of Film and Television at the Tisch School of the Arts at New York University, and at Mercy College, where she developed and chaired a program in Film Studies, and she is the author of four other books, including her internationally acclaimed studies <i>The Passion of David Lynch: Wild at Heart</i> <i>in Hollywood</i> (1997); <i>Dying to Belong: Gangster Movies in Hollywood and Hong Kong</i> (Wiley-Blackwell, 2007); <i>No End to Her: Soap Opera and the Female Subject;</i> and <i>Screen Couple</i> <i>Chemistry: The Power of 2.</i> Dr. Nochimson has been invited to appear on television in her capacity as a film and media critic in the United States, Canada, and France, and she has covered international film festivals in New York, Montreal, and Istanbul for over a decade. Her numerous articles about world film and interviews of major directors have appeared in <i>Cineaste, </i> <i>Film Quarterly</i>, and <i>The New Review of Film and Television Studies</i>. Further information is available at her website www.marthapnochimson.com.
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