<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><strong>Pedagogical and participatory art from the coauthor of <i>Making and Being</i></strong></p><p>In <i>Art, Engagement, Economy: the Working Practice of Caroline Woolard</i>, this acclaimed New York-based artist and educator (born 1984) proposes a politics of transparent production in the arts, whereby heated negotiations and mundane budgets are presented alongside documentation of finished gallery installations. Readers follow the behind-the-scenes work that is required to produce interdisciplinary art projects, from a commission at MoMA to a self-organized, international barter network with over 20,000 participants. <p/>With contextual analysis of the political economy of the arts, from the financial crisis of 2008 to the Covid pandemic of 2020, this book suggests that artists can bring studio-based sculptural techniques to an approach to art-making that emphasizes interdisciplinary collaboration and dialogue.</p>
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