Wilder - by Claire Wahmanholm (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br><b>"Long after I finished reading <i>Wilder</i>, I was in grief that its beauty had ended, and also in grief over the spoiled world it describes." --RICK BAROT</b><p/><br></br><p><b> Book Synopsis </b></p></br></br><b>FINALIST FOR THE 2019 MINNESOTA BOOK AWARD IN POETRY</b> <p/> "After the explosion: the longest night." <p/> In <i>Wilder</i>--selected by Rick Barot as the winner of the 2018 Lindquist & Vennum Prize for Poetry--Claire Wahmanholm maps an alien but unnervingly familiar world as it accelerates into cataclysm. Here refugees listen to relaxation tapes that create an Arcadia out of tires and bleach. Here the alphabet spells out disaster and devours children. Here plate tectonics birth a misery rift, spinning loved ones away from each other across an uncaring sea. And here the cosmos--and <i>Cosmos</i>, as Carl Sagan's hopeful words are fissured by erasure--yawns wide. <p/> <i>Wilder</i> is grimly visceral but also darkly sly; it paints its world in shades of neon and rust, and its apocalypse in language that runs both sublime and matter-of-fact. "Some of us didn't have lungs left," writes Wahmanholm. "So when we lay beneath the loudspeaker sky--when we were told to <i>pay attention to our breath</i>--we had to improvise." The result is a debut collection that both beguiles and wounds, whose sky is "black at noon, black in the afternoon."<p/><br></br><p><b> Review Quotes </b></p></br></br><br><b>Praise for <i>Wilder</i></b> <p/> "A lyric and formally daring collection."<b>--<i>Poets & Writers</i></b> <p/> "Wahmanholm's careful curation of words and sounds cradle the reader . . . The poems in <i>Wilder</i> are powerful and compelling, interested not only in confronting the rifts in our history and landscape, but connecting us to each other."<b>--Arkansas International</b> <p/> "Wahmanholm moves lyrically through an apocalyptic disaster in her stunning and disquieting debut. . . . Wahmanholm's poems are studies in devastation and stark representations of the accompanying shock."<b>--<i>Publishers Weekly</i></b> <p/> "<i>Wilder</i> is a stark and uncompromising meditation on the apocalyptic present. A haunting debut."<b>--Stephen Sparks, Little Infinite</b> <p/> "A stunning debut . . . At the heart of the collection lies a profound chorus of ambivalence: a loose line through calls for warning, and calls for mourning."<b>--Frontier Poetry</b> <p/> "Terrifying and beautiful."<b>--MinnPost</b> <p/> "Long after I finished reading <i>Wilder</i>, I was in grief that its beauty had ended, and also in grief over the spoiled world it describes. Stripped wholly of autobiographical content, the poems in this book seem like the texts written by an ancient collective--texts that are at once full of wonder and bewilderment, cosmic vision and earthly pain. Except that the book's voices aren't those of the ancients after all, but of those in a disturbingly probable future where bleach dapples the ground, relaxation tapes play in manic loops, there are bombs in everyone's bellies, and grief travels through the body like mercury. Intimate as well as mythic, <i>Wilder</i> is a staggeringly dark proposition about where we are going. And while the book offers no easy scenarios of rescue or solace, its lyricism is nonetheless steeped in vibrant making. As the speaker of one poem says, 'We had seen many last things: the last acorn, the last lightning storm, the last tide.' And maybe, just maybe, in the artfulness brought to that exquisitely vatic catalog, the work of repair takes place."<b>--Rick Barot</b> <p/> "Claire Wahmanholm channels the singular voice of H. D. as she travels us through a landscape wounded, this time not by the industrial military complex, but by the industrial greed complex. Wahmanholm's gorgeous, epic lyric breathes across time and place, self and other, blame and consequence--placing the song of impossible hope not with our news cycle but in our lungs, on our tongues. In its end, this oracular voice teaches us that despite it all we grow to 'see deeply into each other, all the way to the marrow.' Please God, may it be so."<b>--Rebecca Gayle Howell</b> <p/> "<i>Wilder</i> is a gorgeous, heady book of fables touched with a kind of black moss, or jellyfish tendrils, or nets and ghosts. Throughout the collection, we are implicated in a never-ending journey--continuously emerging from the underneath of things, the excavations of the world, the lightless places that lead to the sea. Moments are exquisitely strange and strangely exquisite. There is an abundance of being lost, of encroaching upon apocalyptic moments, of falling back to burning music. In <i>Wilder</i>, we are all eternally, or suddenly, feral children left to our own shared devices. Merry with memories that are now suspect, we are led on circular treks through one shifting illusion after another. Doom and freedom seem to be the same in these landscapes but our senses are more alive than ever. Here we are howling, smoking, crooked, afloat through skies of vultures and honeycombs."<b>--Sun Yung Shin</b> <p/> "Claire Wahmanholm's <i>Wilder</i> is bewildering and born of collapse. These searing poems spring not only from the end but from the imagined after, excavating from the ruins of this world 'the birds swooping from the trees to land / beside their own bones, // our bodies reaching down to grab our shadows by the hands.' I cannot recall a collection of poems that thrilled and devastated me more." <b>--Maggie Smith</b> <p/><br><p/><br></br><p><b> About the Author </b></p></br></br><b>Claire Wahmanholm</b> is the author of <i>Night Vision</i>, winner of the 2017 New Michigan Press/DIAGRAM chapbook competition. Her poems have appeared in <i>Paperbag</i>, <i>PANK</i>, <i>Saltfront</i>, <i>Waxwing</i>, <i>Bennington Review</i>, <i>The Collapsar</i>, <i>Newfound</i>, <i>New Poetry from the Midwest 2017</i>, <i>32 Poems</i>, <i>Best New Poets 2015</i>, <i>Memorious</i>, <i>The Journal</i>, and <i>Kenyon Review Online</i>. Her second collection, <i>Redmouth</i>, is forthcoming from Tinderbox Editions in 2019. She lives and teaches in the Twin Cities.
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