Red Star White Nights - by Joel Lobenthal & Lisa Whitaker (Hardcover)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>Red Star, White Nights: The Life and Death of Yuri Soloviev</em> is a biography of one of history's greatest dancers, who ended his own life in a snow-bound Russian dacha in 1977 at the age of thirty-six. The book is also a personal memoir by Lisa Whitaker, who befriended Soloviev when he toured Australia in 1969. And it is autobiography, too, describing Whitaker's travels to Russia after Perestroika to find his family and uncover the mystery of his fate.</p><p>Soloviev was a government-decorated icon in the USSR, and an international star as well. On tour with the Kirov, he was idolized by audiences and critics. In words and more than one hundred photos, many never before published, his phenomenal talent lives again.</p><p>The book is the culmination of decades of research, during which the authors interviewed Soloviev's family, friends, and colleagues to peel back layers of accrued myth and reduction. Soloviev's suicide was his response to both personal and institutional repression, a bombshell hurled at Soviet officialdom. Soloviev's psychology reflected the stringency of the Soviet system and the individual vagaries of a turbulent family.</p><p>Red Star, White Nights</em> is informed by Whitaker's experience in Russian research and Lobenthal's many accounts of Russian culture and ballet. The book weaves together Soloviev's story with multiple epochs of Soviet history: the 1917 revolution, Stalin's purges of the 1930s, World War II, the "thaw" of the 1950s and '60s, the stagnation of the '70s.</p><p>Preserved on video, Soloviev's talent continues to astound, while his life and death continue to haunt. Red Star, White Nights illuminates the many facets of this most enigmatic of ballet stars.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>Red Star White Nights</em> is so much more than the life and death of Yuri Soloviev. It is the tale of the Kirov Ballet supernova who leaped into the world's attention in the same year and from the same corps as Rudolf Nureyev-and, in the eyes of many, Nureyev's superior-but who did not defect to the West. This is the tale of the man who stayed: an artist, a patriot, and a loving father who was crushed by the implacable demands of a Party he refused to join. It is the tale of an artist's struggle to remain true to the purity of his form and his craft even as the system he is in uses that very purity as an example of the greatness of a regime he does not wish to personify. Utterly absorbing, Whitaker and Lobenthal's work resurrects the memory and achievement of a man made invisible by the State after his death, at the same time renders palpable the anguish of an artist with a gift; a gift he wants to give away freely, beautifully to the world-and cannot."</p><p>-- SARAH BLAKE, author of the New York Times bestseller THE GUEST BOOK</p><br>
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