"Rogues' Gallery is consistently light, engaging and fluently assembled."--<i><b>The Wall Street Journal</b></i> <p/> "Noteworthy, enlightening, well informed, and readable, this masterly book by an expert art dealer and auctioneer belongs in many large, public, academic, and special library visual arts collections."--<b><i>Library Journal, </i> starred review</b> <p/> "A lively exploration of the history of art and the tastemakers and dealers whose influence in shaping it is often overlooked."--<i><b>Kirkus</b></i> <p/> "[An] entertaining and perceptive look at the workings of the fine-art trade . . . that will interest even the most casual of art lovers."--<i><b>Booklist</b></i> <p/><b>Praise from the UK for <i>Rogues' Gallery</i></b> <p/> "This expert and elegant history of art dealers provides background to today's art world, funded by 'idiots with pretensions'. . . . Fascinating and elegantly written. . . . He guides us expertly through . . . dealership. . . . Excellent overview of the history of art dealing. . . . The whole of <i>Rogues' Gallery</i> is richly seeded with his expertise and insider knowledge. . . . Both wise and timely: There never was a moment when the old adage 'caveat emptor' seemed more apt."<b>--William Boyd, <i>Guardian</i></b> <p/> "Hook knows what he is talking about. . . . the book catches fire. . . . [Hook] writes suavely and racily. . . . has a fabulous ear for anecdotes. . . . and his entertaining book has a Wodehousian tone that makes even the most heinous act it describes glint with comedy.&rdquo<b>--Waldemar Januszczak, <i>Sunday Times</i></b> <p/> "Wonderfully entertaining. . . . full of cracking stories and preposterous characters. . . . Philip Hook . . . has a front-row seat and a backstage pass to this arcane and obsessively secretive profession."<b>--Hannah Rothschild, <i>Mail on Sunday</i></b> <p/> "Read like a roll call of rakes and eccentrics. . . . This all reads like an entertaining yarn overheard in the nook of a Mayfair bar. . . . Hook has a Jeeves-like talent for understatement. . . . Illuminating. . . . combines expertise with irreverence."<b>--Christian House, <i>Observer</i></b> <p/> "Full of colorful characters, a pleasure to read. . . . [He] turns his wry eye on dealers. . . . and the dealers' personality, as he shows in his short biographies of the leading historical exponents, Hook incorporates every trait from cunning and charisma to scholarliness and subterfuge."--<b>Michael Prodger, <i>Times</i></b> <p/> "A parade of charlatans, crooks, and visionaries in this lively 2,000-year history of art dealing . . . fascinating. . . . Hook writes with honesty and wry detachment. . . . almost no character escapes Hook unmauled."<b>--Robert Eustace, <i>Saturday Telegraph</i></b> <p/> "Fascinating. . . . Refreshing."<b>--Roger Lewis, <i>Daily Mail</i></b> <p/> "Hook is not a curmudgeon. . . . he is a writer of wit and offers anecdotes generously. . . . There are overt and covert cynical reflections throughout. . . . Hook bares teeth at art-world euphemisms."<b>--Josh Spero, <i>Financial Times </i></b> <p/> "Fascinating. . . . candid. . . . very relevant. . . . Philip Hook is extremely well qualified to deal with his chosen subject."<b>--Edward Lucie-Smith, <i>Artlyst </i></b> <p/> "He writes better about the physical nature and impact of painting than anyone I have read for years."<b>--Grey Gowrie, <i>Daily Telegraph</i></b> <p/> "A cultured, witty, clear-eyed, worldly teacher with a fully functioning sense of humor."<b>--William Boyd, <i>Spectator</i></b>
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