Riots I Have Known - by Ryan Chapman (Paperback)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>Longlisted for the 2019 Center for Fiction First Novel Prize, </b><b>Ryan Chapman's "gritty, bracing debut" (<i>Esquire</i>) set during a prison riot is "dark, daring, and laugh-out-loud hilarious...one of the smartest--and best--novels of the year" (NPR).</b> <p/>A largescale riot rages through Westbrook prison in upstate New York, incited by a poem in the house literary journal. Our unnamed narrator, barricaded inside the computer lab, swears he's blameless--even though, as editor-in-chief, he published the piece in question. As he awaits violent interruption by his many, many enemies, he liveblogs one final Editor's Letter. <i>Riots I Have Known </i>is his memoir, confession, and act of literary revenge. <p/>His tale spans a childhood in Sri Lanka, navigating the postwar black markets and hotel chains; employment as a Park Avenue doorman, serving the widows of the one percent; life in prison, with the silver lining of his beloved McNairy; and his stewardship of <i>The Holding Pen</i>, a "masterpiece of post-penal literature" favored by Brooklynites everywhere. All will be revealed, and everyone will see he's really a good guy, doing it for the right reasons. <p/>"Fitfully funny and murderously wry," <i>Riots I Have Known</i> is "a frenzied yet wistful monologue from a lover of literature under siege" (<i>Kirkus Reviews</i>).<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"[A] gritty, bracing debut novel . . . a satirical look at mass incarceration and the liberating power of the written word."<b>--Esquire</b><br><br>"A compact cluster bomb of satire. . . . if you're part of the Venn diagram that subscribes to n+1 <i>and </i>McSweeney's, this is the funnest book you'll read all year."<b>--The <i>Washington Post</i></b><br><br>"Chapman's bravura performance is piquant, rollicking, and richly provoking."--<i><b>Booklist</b></i><br><br>"Chapman's smart, freewheeling first novel sends up both prison and literary life."--<i><b>Seattle Metropolitan Magazine</b></i><br><br>"Dark, daring, and laugh-out-loud hilarious, Riots I Have Known is one of the smartest -- and best -- novels of the year."<b>--NPR</b><br><br>"Darkly hilarious."--<i><b>Newsday</b></i><br><br>"Dazzling...Supremely mischievous and sublimely written, this is a stellar work."<b>--<i>Publishers Weekly</i> (starred review)</b><br><br>"Fitfully funny and murderously wry . . . a frenzied yet wistful monologue from a lover of literature under siege."--<b><i>Kirkus Reviews</i></b><br><br>"Ryan Chapman establishes himself as a master of wit, satire, and heart."--<b>Apple Books</b><br><br>"Savage, fearless, and funny as hell, <i>Riots I Have Known</i> also possesses, not so strangely, a poignant core. In this mother of all editor's notes, Ryan Chapman creates a narrative voice that is by turns tender, cruel, profane, wildly inventive and, finally, unforgettable."--<b>Sam Lipsyte, New York Times Bestseller author of <i>The Ask</i> and <i>Home Land</i> </b> <p/> "Chapman's <i>Riots I Have Known</i> joins Kushner's <i>Mars Room</i> on the short list of truly remarkable American prison novels. Chapman's debut is literally riotous: an improbably beguiling, utterly ribald provocation, something like Lenny Bruce's 'Father Flotsky's Triumph' as retold by Dostoyevsky's Underground Man."<b>--Jonathan Lethem, author of <i>The Fortress Of Solitude</i></b> <p/> "With <i>Riots I Have Known</i>, Ryan Chapman has delivered a keen satire of America's criminal justice crisis. The novel is remarKable for many things not the least of which are its wit, humor, and masterful language. I was impressed again and again, and I wager so to will readers with working hearts and brains."--<b>Mitchell S. Jackson, award-winning author of <i>Survival Math</i></b> <p/> "Hilarious, original, and cunningly wrought, Ryan Chapman has written a rocket-powered ode to literary creation and mass incarceration. Weaving satire and seriousness into a singularly rambunctious monologue, rollicking and oddly recognizable at once, <i>Riots I Have Known</i> is a breath of fresh air."--<b>Alexandra Kleeman, author of <i>You Too Can Have a Body Like Mine </i>and <i>Intimations</i></b> <p/> "<i>Riots I Have Known </i>is a multivalent title: Ryan Chapman's debut is about a prison riot, unfurls a riot of word-drunk prose, and, most of all, is itself a riot, a virtuoso vocal performance of acidic seriocomedy whose forbears are Thomas Bernhard's discursive monologues, Frederick Exley's deadpan wit, and Kafka's Kafkaesqueness, but which is ultimately, as they say, all Chapman's own. It's hard to find a single sentence that isn't polished to a brilliant luster in this lacerating shiv of a novel."--<b>Teddy Wayne, author of <i>Loner </i>and <i>The Love Song of Jonny Valentine</i></b> <p/> "<i>Riots </i>moves at breakneck pace as a pent-up con runs free across every page. Chapman is his very own, and this is a book readers will devour."--<b>Amelia Gray, author of <i>Gutshot</i> and <i>Isadora</i></b> <p/> "<i>Riots I Have Known</i> is a wild yawp from the literary frontier that brings to mind both Roberto Bolaño and Thomas Bernhard. It is relentless, hilarious, and unabashedly smart. It's my new favorite manifesto and I loved every last page."<b>--Scott Cheshire, author of <i>High as the Horses' Bridles</i></b> <p/> "Ryan Chapman is an exceptional stylist, and his range of reference runs from Fredric Jameson and Kafka to Carly Rae Jepsen and Kinfolk. <i>Riots I Have Known</i> is a smart, rambunctious, and (it just so happens) riotously funny debut novel. It's a book you don't so much read as ride like a roller coaster--i.e. very quickly, while hanging on for dear life and maybe screaming--and as soon as it's over you'll want to ride again."<b>--Justin Taylor, author of <i>Flings</i> </b> <p/> "Had Humbert Humbert started a literary journal from prison and penned a jailbreak scene with the spectacular absurdity of the one in <i>Natural Born Killers</i>, there would be a clear antecedent for <i>Riots I Have Known</i>. As it is, Ryan Chapman's book is fiercely original, darkly hilarious, and morally complex. Strong voice, both sympathetic and sharp as a shiv, calls the reader farther and farther into a prison on fire. Chapman's ability to play simultaneously in the two keys of gleeful wit and menace reminded me of Aravind Adiga's polytonality in <i>White Tiger</i>."<b>--Will Chancellor, author of <i>A Brave Man Seven Storeys Tall</i></b><br>
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