The Indivisible Remainder - (Radical Thinkers) by Slavoj Zizek (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>The maverick philosopher combines Schelling with popular film for a fascinating study of modern life.<p/><br></br><p><b> Book Synopsis </b></p></br></br>The feature which distinguishes the great works of materialist thought, from Lucretius' <i>De rerum natura </i>through <i>Capital </i>to the writings of Lacan, is their unfinished character: again and again they tackle their chosen problem. Schelling's <i>Weltalter</i> drafts belong to this same series, with their repeated attempt at the formulation of the 'beginning of the world, ' of the passage from the pre-symbolic pulsation of the Real to the universe of logos. <p/>F.W.J. Schelling, the German idealist who for too long dwelled in the shadow of Kant and Hegel, was the first to formulate the post-idealist motifs of finitude, contingency and temporality. His unique work announces Marx's critique of speculative idealism, as well as the properly Freudian notion of drive, of a blind compulsion to repeat which can never be sublated in the ideal medium of language. <p/><i>The Indivisible Remainder </i>begins with a detailed examination of the two works in which Schelling's speculative audacity reached its peak: his essay on human freedom and his drafts on the "Ages of the World." After reconstituting their line of argumentation, Slavoj Žižek confronts Schelling with Hegel, and concludes by throwing a Schellingian light on some "related matters" the consequences of the computerization of daily life for sexual experience; cynicism as today's predominant form of ideology; the epistemological deadlocks of quantum physics. <p/>Although the book is packed with examples from politics and popular culture -- the unmistakable token of Žižek's style -- from <i>Speed</i> and <i>Groundhog Day</i> to <i>Forrest Gump, </i> it signals a major shift towards a systematic concern with the basic questions of philosophy and the roots of the crisis of our late-capitalist universe, centred around the enigma of modern subjectivity.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"Žižek leaves no social or natural phenomenon untheorized, and is a master of the counter-intuitive observation."--<i>New Yorker</i> <p/>"The most formidably brilliant exponent of psychoanalysis, indeed of cultural theory in general, to have emerged in some decades."--Terry Eagleton <p/>"The Elvis of cultural theory."--<i>Chronicle of Higher Education</i><br><p/><br></br><p><b> About the Author </b></p></br></br><b>Slavoj Žižek</b> is a Slovenian philosopher and cultural critic. He is a professor at the European Graduate School, International Director of the Birkbeck Institute for the Humanities, Birkbeck College, University of London, and a senior researcher at the Institute of Sociology, University of Ljubljana, Slovenia. His books include <i>Living in the End Times</i>, <i>First as Tragedy, Then as Farce</i>, <i>In Defense of Lost Causes</i>, four volumes of the Essential Žižek, and many more.
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