<p/><br></br><p><b> About the Book </b></p></br></br>Two small town California mysteries from the early 1950s, the first which explores a 20-year-old murder that comes back to haunt the present, the second involving an amateur sleuth who finds too much coincidence in the deaths of three husbands and their three widows. First time in paperback.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>THE MAN WHO GOT AWAY WITH IT</p><p>Twenty years ago, young Inez Bailey was strangled to death, and the killer was never found. On a trip to California to visit his sister, Chicago police inspector Roy Malley finds this old crime intriguing. He's sure he could have discovered the murderer if it had been his crime to solve. Busman's holiday or not, he starts to dig. And uncovers more than he intended when he sets the wheels in motion in this small community. Because the killer is still among them, a respected member of society, a family man and business owner. He is in tight control of himself, has been for years. But with just a little push, he could let himself go. But letting go is the one thing he can't let himself do.</p><p> </p><p>THE THREE WIDOWS</p><p>The Bladeswells are on vacation, traveling by car from Omaha to California. While in Santa Cruz, they hear about a man found dead on the beach, which brings to mind a similar event which occurred while the couple were vacationing in Yellowstone--a man found dead with no identification on him. When Mr. Bladewell hears about another similar case in Yosemite, he begins to wonder if there isn't someone on a select killing spree. The next night finds them at a cabin resort in Escondido, where they join their hometown friend Chet. The unmarried Chet is enjoying the attention of three older women vacationers, all recently widowed. This sets Mr. Bladeswell to thinking--three dead men and three widowed women--that perhaps there is more than coincidence at work here ... that maybe <em>one</em> of them is a murderer.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>"[Makes] the realistic depiction of murder in the lower middle class particularly her own."--Anthony Boucher, <em>NY Times</em></p><p>"Carey ... was an adept plotter but was more interested in characterization and social comment. In short, she was very much a forerunner of modern <em>literary</em> crime fiction."-- Xavier Lechard, <em>At the Villa Rose</em></p><p>"Arguably the most significant contribution of Bernice Carey to mid-century crime fiction was her commitment to exploring realistic social conditions in her novels."--Curtis Evans, from his Introduction </p><br>
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