The Book of Grace - by Suzan-Lori Parks (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>A new play by the Pulitzer Prize-winning author of <i>Topdog/Underdog</i>.<p/><br></br><p><b> Book Synopsis </b></p></br></br>"<i>The Book of Grace</i> offers further evidence that Suzan-Lori Parks thinks big even when she thinks small... The family portrait she paints here is nothing less than a map of a nation that is divided within itself and poised to fall... This play is infused with an exciting emotional ambiguity that transforms its characters into people of splendidly confused humanity." -Ben Brantley, <i>New York Times</i> <p/>"Suzan-Lori Parks has laid out the conflicts among these characters with such economy and clarity that they run like a taut steel cord throughout the play; it's as lean and direct a drama as she's written." -Robert Faires, <i>Austin Chronicle</i> <p/>Encouraged by his stepmother to return home to South Texas, a young man reunites with his abusive father, unearthing an explosive combination of deep-seated passion and ambition. Described by Suzan-Lori Parks as a companion piece to her Pulitzer Prize-winning <i>Topdog/Underdog</i>, this fierce and intimate three-person drama premiered in 2010 at New York's Public Theater, and is published here with the playwright's final, revised text. <p/>In 2002 <b>Suzan-Lori Parks</b> became the first African-American woman to receive the Pulitzer Prize in Drama for her play <i>Topdog/Underdog</i>. Her other plays include <i>Father Comes Home from the Wars (Parts 1, 2, &3), In the Blood, Venus, The Death of the Last Black Man in the Whole Entire World, Fucking A, Imperceptible Mutabilities in the Third Kingdom</i> and <i>The America Play</i>. In 2007 her <i>365 Days/365 Plays</i> was produced in more than seven hundred theaters worldwide. Ms. Parks is a MacArthur Fellow and Master Writer Chair at The Public Theater.<br><p/><br></br><p><b> Review Quotes </b></p></br></br><br>"Her dislocating stage devices, stark but poetic language and fiercely idiosyncratic images transform her work into something haunting and marvelous."<br>-- <i>Time</i> <p/>"An original whose fierce intelligence and fearless approach to craft subvert theatrical convention and produce a mature and inimitable art that is as exciting as it is fresh."--August Wilson<br><br>
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