Book Presence in a Digital Age - by Kiene Brillenburg Wurth & Kári Driscoll & Jessica Pressman (Paperback)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br>Contrary to the apocalyptic pronouncements of paper media's imminent demise in the digital age, there has been a veritable surge of creative reimaginings of books as bearers of the literary. From typographic experiments (Mark Z. Danielewski's <i>House of Leaves</i>, Steven Hall's <i>The Raw Shark Texts</i>) to accordion books (Anne Carson's <i>Nox</i>), from cut ups (Jonathan Safran Foer's <i>Tree of Codes</i>) to collages (Graham Rawle's <i>Woman's World</i>), from erasures (Mary Ruefle's <i>A Little White Shadow</i>) to mixups (Simon Morris's <i>The Interpretations of Dreams</i>), print literature has gone through anything but a slow, inevitable death. In fact, it has re-invented itself materially.<br/><br/>Starting from this idea of media plurality, <i>Book Presence in a Digital Age</i> explores the resilience of print literatures, book art, and zines in the late age of print from a contemporary perspective, while incorporating longer-term views on media archeology and media change. Even as it focuses on the materiality of books and literary writing in the present, <i>Book Presence</i>also takes into consideration earlier 20th-century "moments" of media transition, developing the concepts of presence and materiality as analytical tools to perform literary criticism in a digital age. Bringing together leading scholars, artists, and publishers, <i>Book Presence in a Digital Age</i> offers a variety of perspectives on the past, present, and future of the book as medium, the complex relationship of materiality to virtuality, and of the analog to the digital.<p/><br></br><p><b> Review Quotes </b></p></br></br><br><i>Book Presence in a Digital Age</i> is that rare volume that reads as both the culmination and anticipation of a field. It reflexively brings together some of the most compelling critics and artists thinking about 'the book' as medium and cultural artifact - and the individual conversations, explorations, and interventions that result would have alone made for a worthy volume. But the cumulative effect is much more than this, for collectively they articulate the questions that will inform scholarship and artistic practice for some years to come.<br/>Rita Raley, Associate Professor of English, University of California, Santa Barbara, USA<br><br>Operating in the force field between literary theory, comparative media studies, and new materialism, <i>Book Presence in a Digital Age</i> brims over with fresh, insightful, and nuanced explorations of the shifting contours of bookishness in the information age. By means of richly variegated points of entry, it demonstrates how print artifacts, far from hovering at the margins of the digital media ecology, have emerged as one of the defining laboratories for the elaboration of contemporary cultural forms.<br/>Jeffrey Schnapp, Faculty Director of metaLAB, Harvard University, USA<br><p/><br></br><p><b> About the Author </b></p></br></br><p><b>Kiene Brillenburg Wurth </b>is Professor of Literature and Comparative Media at the University of Utrecht, the Netherlands, and project leader of the VIDI project "Back to the Book" funded by the Dutch Research Council. She is the author of <i>Musically Sublime: Infinity, Indeterminacy, Irresolvability </i>(2009) and the editor of <i>Between Page and Screen: Remaking Literature Through Cinema and Cyberspace </i>(2012).<br><b><br>Kári Driscoll</b> is Assistant Professor of Comparative Literature at the University of Utrecht, the Netherlands. <p/><b>Jessica Pressman </b>is Associate Professor of English and Comparative Literature at San Diego State University, USA. She is the author of <i>Digital Modernism: Making It New in New Media </i>(2014), co-author (with Mark C. Marino and Jeremy Douglass) of <i>Reading Project: A Collaborative Analysis of William Poundstone's Project for Tachistoscope {Bottomless Pit}</i> (2015), and co-editor (with N. Katherine Hayles) of <i>Comparative Textual Media: Transforming the Humanities in a Postprint Era </i>(2013).</p>
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