Stalking Nabokov - by Brian Boyd (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br><p>In this book, Brian Boyd surveys Vladimir Nabokov's life, career, and legacy; his art, science, and thought; his subtle humor and puzzle-like storytelling; his complex psychological portraits; and his inheritance from, reworking of, and affinities with Shakespeare, Pushkin, Tolstoy, and Machado de Assis. Boyd also offers new ways of reading <i>Lolita</i>, <i>Pale Fire</i>, <i>Ada or Ardor</i>, and the unparalleled autobiography, <i>Speak, Memory</i>, disclosing otherwise unknown information about the author's world. Sharing his personal reflections as he recounts the adventures, hardships, and revelations of researching Nabokov's life? oeuvre?, he cautions against using Nabokov's metaphysics as the key to unlocking all of the enigmatic author's secrets. Assessing and appreciating Nabokov as novelist, memoirist, poet, translator, scientist, and individual, Boyd helps us understand more than ever Nabokov's multifaceted genius.</p><p/><br></br><p><b> Book Synopsis </b></p></br></br>At the age of twenty-one, Brian Boyd wrote a thesis on Vladimir Nabokov that the famous author called "brilliant." After gaining exclusive access to the writer's archives, he wrote a two-part, award-winning biography, <i>Vladimir Nabokov: The Russian Years</i> (1990) and <i>Vladimir Nabokov: The American Years</i> (1991). This collection features essays written by Boyd since completing the biography, incorporating material he gleaned from his research as well as new discoveries and formulations. <p/>Boyd confronts Nabokov's life, career, and legacy; his art, science, and thought; his subtle humor and puzzle-like storytelling; his complex psychological portraits; and his inheritance from, reworking of, and affinities with Shakespeare, Pushkin, Tolstoy, and Machado de Assis. Boyd offers new ways of reading Nabokov's best English-language works: <i>Lolita</i>, <i>Pale Fire</i>, <i>Ada</i>, and the unparalleled autobiography, <i>Speak, Memory</i>, and he discloses otherwise unknown information about the author's world. Sharing his personal reflections, Boyd recounts the adventures, hardships, and revelations of researching Nabokov's biography and his unusual finds in the archives, including materials still awaiting publication. The first to focus on Nabokov's metaphysics, Boyd cautions against their being used as the key to unlock all of the author's secrets, showing instead the many other rooms in Nabokov's castle of fiction that need exploring, such as his humor, narrative invention, and psychological insight into characters and readers alike. Appreciating Nabokov as novelist, memoirist, poet, translator, scientist, and individual, Boyd helps us understand more than ever the author's multifaceted genius.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>A readable collection on one of the 20th century's greatest writers, this will be enjoyed by Nabokov fans and students of 20th century literature.--Library Journal<br><br>Boyd's graceful style and passionate advocacy achieves the goal of the best literary criticism: it compels us to pick up Nabokov and read, or read again, the work of a master.--Publishers Weekly<br><br>Essential for everyone interested in the Russian master.--Booklist<br><br>Required reading for serious students of Nabokov.--Choice<br><br>There is much here that will inform, enliven, and enlighten the work of one of the greatest novelists of his century.--New York Times Book Review<br><br>There is plenty of sensible and revealing stuff here.--New Yorker<br><br>In <i>Stalking Nabokov</i> Boyd attempts something fairly ambitious: he takes the titanic Nabokov and seeks to revise him upwards. As Boyd sees it, he is not only the greatest novelist of the century; he is also a considerable poet, an important scientist, a controversially original translator, a fearless and liberating critic, a learned psychologist.... Véra [Nabokov] soon came to value him and to trust him; and we should follow her lead.... Professor Boyd, as the author of books on evolution and cognition, is well equipped to give us a real sense of Nabokov's scientific weight.... The long and fervent essay in <i>Stalking Nabokov</i> [on the poem] "Pale Fire," compel us to reexamine the poem as an autonomous whole. And the exercise is epiphanic. "Pale Fire" glows with fresh pathos and vibrancy--and so does Pale Fire. For the first time we see the poem in all its innocence, and register the vandalism of Kinbote's desperate travesty. // So at last the true dimensions of <i>Pale Fire</i> are more clearly revealed to us.... On the timbre of Nabokov's artistic spirit Boyd is fundamentally right-headed.--Martin Amis "Times Literary Supplement "<br><br>Absolutely fascinating.... Uniquely compelling.... This is Boyd at his best.--Eric Naiman "San Francisco Chronicle "<br><br>Advances a consistent and intriguing reading of [Nabokov's] work.... a powerful corrective to a prevailing view of Nabokov.--Larry Hardesty "Boston Globe "<br><br>Ambitious.... Fervent.... Epiphanic.--Martin Amis "Times Literary Supplement "<br><br>Boyd is always a pleasure to read...and this collection does not disappoint.--Stephen H. Blackwell "Slavic Review "<br><br>Boyd is, without a doubt, an incredibly exacting and rigorous scholar -- his tireless research and collection of a vast array of materials is something which coming generations of academics will continue to be grateful for.--U.H. Dematagoda "Slavonic and East European Review "<br><br>Boyd's deft analysis of the novels is superb.... genuinely exhilarating.... Brian Boyd is not only Nabokov's biographer but also his pre-eminent critic. This is a valuable and delightful collection of essays on one of the twentieth century's most significant novelists.--Paul Morgan "Australian Book Review "<br><br>Boyd's sophisticated use of texts and contexts, close readings informed by archival materials and decades of experience, and wonderful writing style mean that all Nabokov scholars and fans will enjoy.--Jason Merrill "The Russian Review "<br><br>Substantial.... Impressive.... Enlightening.... Best of all, his enthusiasm for Nabokov's verbal pyrotechnics, for his comically deluded heroes pursuing elusive objects of desire, for the ability to depict life itself, joyously 'swarming with inexhaustible diversity and delight, ' sends you back to read the books... of one of literature's great masters.--David Eggleton "The Listener "<br><p/><br></br><p><b> About the Author </b></p></br></br>Brian Boyd is University Distinguished Professor of English at the University of Auckland. His work on American, Brazilian, English, Greek, Irish, New Zealand, and Russian literature, from epics to comics, has appeared in seventeen languages and has won awards on four continents. He is the author of <i>Vladimir Nabokov: The Russian Years</i> and <i>Vladimir Nabokov: The American Years</i>, books on <i>Pale Fire</i> and <i>Ada</i>, and the enormous <i>AdaOnline</i>. He has edited Nabokov's English fiction, autobiography, butterfly writings, and verse translations and is now editing a collection of the author's letters to his wife. Also known for his evolutionary and cognitive work, he is the author of <i>On the Origin of Stories: Evolution, Cognition, and Fiction</i> and the forthcoming <i>Why Lyrics Last: Evolution, Cognition, and Shakespeare's Sonnets</i> and is coeditor of <i>Evolution, Literature, and Film: A Reader</i>. He is currently working on a biography of the philosopher Karl Popper.
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