<p/><br></br><p><b> About the Book </b></p></br></br>An analysis of the historical position of Paul Celan's poetry, this book addresses the question of a lyric language that would not be the expression of subjectivity. Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition and action, a figure not only of domination but of the extermination of everything other than itself.<p/><br></br><p><b> Book Synopsis </b></p></br></br>An analysis of the historical position of Paul Celan's poetry, this book addresses the question of a lyric language that would not be the expression of subjectivity. Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition and action, a figure not only of domination but of the extermination of everything other than itself.<p/><br></br><p><b> About the Author </b></p></br></br>Philippe Lacoue-Labarthe--philosopher, literary critic, and translator--is one of the leading intellectuals in France. He teaches philosophy and aesthetics at the University of Strasbourg. Among his works translated into English is <i>Typography: Mimesis, Philosophy, Politics</i> (Stanford paperback edition, 1998).
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