<p/><br></br><p><b> About the Book </b></p></br></br>""How does a culture respond when the limits of childhood become uncertain? The emergence of pre-adolescence in the 1980s, signified in part by the new PG-13 rating for film, disrupted the established boundaries between childhood and adulthood and affected not only America's pillar ideals of family and childhood innocence but also the very foundation of the horror genre's identity: an association with maturity and exclusivity. Cultural disputes over the limits of childhood and horror were explicitly articulated in the children's horror trend (1980-1997), a cluster of child-oriented horror titles in film and other media, which included Gremlins, The Gate, the Goosebumps series, and others. As the first serious analysis of the children's horror trend, with a focus on the effects of ratings, this book provides a complete chart of its development while presenting it as a document of American culture's adaptation to pre-adolescence, with each important children's horror title corresponding to a key moment of ideological negotiation, cultural power struggles, and industrial compromise. This book includes an appendix of children's horror from the Scooby-Doo franchise in 1969 to Netflix's Stranger Things in 2016 and many of the films, novels, and television series in between."-Provided by publisher"--<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>How does a culture respond when the limits of childhood become uncertain? The emergence of pre-adolescence in the 1980s, which is signified by the new PG-13 rating for film, disrupted the established boundaries between childhood and adulthood. The concept of pre-adolescence affected not only America's pillar ideals of family and childhood innocence but also the very foundation of the horror genre's identity, its association with maturity and exclusivity. Cultural disputes over the limits of childhood and horror were explicitly articulated in the children's horror trend (1980-1997), a cluster of child-oriented horror titles in film and other media, which included <em>Gremlins, The Gate, </em> the <em>Goosebumps </em>series, and others. As the first serious analysis of the children's horror trend, with a focus on the significance of ratings, this book provides a complete chart of its development while presenting it as a document of American culture's adaptation to pre-adolescence. Each important children's horror title corresponds to a key moment of ideological negotiation, cultural power struggles, and industrial compromise.<p/><br></br><p><b> About the Author </b></p></br></br><b>Filipa Antunes</b> is a lecturer in humanities at the University of East Anglia (Norwich, United Kingdom), where she teaches media and culture from an interdisciplinary perspective. She researches childhood and popular culture, with a special interest in media classification, and has published in the <i>Journal of Film and Video</i> and the <i>Journal of Children and Media</i>.
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