Love and Theft - by Stan Parish (Paperback)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br><b><b>A <i>New York Times</i> <i>Book Review</i> Editor's Choice</b> <p/><b>"It can feel to the reader like a kind of miracle. In a word: thrilling."</b><br><b>--<i>The New York Times Book Review</i></b><br><b>"Head and shoulders above the average thriller."</b><br><b>--<i>The Guardian</i></b><br><b>"Pure pleasure from the first page to the last."</b><br><b>--<i>The Sunday Times</i> (UK)</b> <p/><b><b><b>An epic Vegas heist.</b><br><b>A high-octane international romance.</b><br><b>A charismatic thief forced to orchestrate one final, treacherous job to save his family.</b></b></b></b> <p/>When Alex Cassidy and Diane Alison meet at a party in Princeton, New Jersey, the chemistry between them is instant and undeniable. She's a single mother, local fixture, and owner of a successful catering company. He's a single father and weekend homeowner -- and leader of an armed-robbery crew that just pulled off a record-breaking, precision jewel heist in Las Vegas. Neither one realizes that their lives have overlapped before, and that the shared history they uncover will threaten everyone they love. <p/>Swept up in their burgeoning relationship, Diane joins Alex at his beach house in Tulum, where Alex decides to leave his life of crime behind. It begins as a postcard-perfect weekend until an entanglement with a powerful cartel forces Alex to mastermind one final and unthinkably dangerous job. What ensues is an explosive, adrenaline-soaked journey through the moneyed landscapes of Mexico and Europe, where ghosts from the past collide with unexpected perils in the present. <p/>Propulsive, deeply suspenseful, and layered with mesmerizing twists, <i>Love and Theft</i> is a sophisticated thriller about the illusion of control and the high price of past transgressions<p/><br></br><p><b> Review Quotes </b></p></br></br><br>A dark jewel, polished and precision-cut, beloved faces reflected in each glossy facet: Don Winslow, Elmore Leonard, Nelson DeMille. <i>Love and Theft</i> pays tribute to classic capers -- and rivals the best of them for verve and ingenuity. A breathless adventure both starry-eyed and cool-blooded, both charming and diabolical. More, please. <br><b>--A.J. Finn, #1</b> <b><i>New York Times</i></b> <b>bestselling author of</b> <b><i>The Woman in the Window</i></b> <p/>"Tight, beautifully written, and crackling with full-throttle tension, <i>Love and Theft</i> knocked me out. An electrifying novel. Stan Parish has the stuff. For real."<br> <b>-- Robert Crais, #1 <i>New York Times</i> bestselling author</b> <p/>The story opens on a kaleidoscopic set piece worthy of a James Bond movie as directed by Robert Altman. . . <b><i>Love and Theft</i> is expertly and (a rarer accomplishment) artfully written</b>. . . A precision-cut sentence can quicken the reader's pulse as reliably as a surprise twist or a character's excruciating dilemma. When a novel delivers all of the above -- as <i>Love and Theft</i> ultimately does, its racecar engine revving to a smooth and satisfying purr -- <b>it can feel to the reader like a kind of miracle. In a word: thrilling.</b> <br><i><b>--The New York Times Book Review</b></i> <p/>Hurrah! <i>Love and Theft</i> is pure pleasure from the first page to the last.<br><b>--<i>The Sunday Times (UK)</i></b> <p/><i>Love and Theft . . .</i> manages the alchemy of racing narrative momentum with plenty of style, street smarts, and truly fine prose.<br><b><i>--Interview</i></b> <p/>A slick, snappily written thriller. . . . What puts <i>Love and Theft </i>head and shoulders above the average thriller is that characterisation is never sacrificed in the cause of momentum: even the bit-part players are fleshed out, often in a matter of sentences, and by the time jeopardy looms for Alex and Diane we are entirely invested in them both.<br> <b>--<i>The Guardian</i></b> <p/> Some books leave you nervous with tension. Then there is <i>Love And Theft</i>, which cranks the anxiety up to 11. A chance meeting between a businesswoman and an armed robber sparks a relationship. But Alex Cassidy and Diane Alison don't realise they have a shared history--one that could threaten everything they love. With one final heist thrown into the mix, there are thrills, spills, terrific characters and a plot to keep you guessing. 4 STARS.<br> <b>--<i>The Sun</i></b> <p/> Stan Parish's caper just gets everything right: intricate plotting, a wonderful set of believable as well as often seductive characters and non-stop action with a gentle tongue in cheek attitude. All the right ingredients are present, but his gentle, unassuming touch turns what can sometimes be worn clichés into a most satisfying cocktail of likeable villainy that evokes Elmore Leonard at his best. . . . Escapist but unputdownable, this is a fast but rewarding read and an absolute pleasure.<br> <b>--Crime Time</b> <p/>Well now! I just read the next great American crime novelist. <i>Love and Theft</i> is a smart, electric, totally original tale that I absolutely could not put down. To put it simply, this is a fast, fantastic, entirely satisfying read. Fans of Elmore Leonard rejoice. Stan Parish has arrived! <br> <b>--Christopher Reich, <i>New York Times</i> bestselling author of the Simon Riske novels</b> <p/> "This terrific page-turner has it all: wonderful characters, frenetic pace, blood-curdling tension, cinematic action, and hugely satisfying twists. Highly recommended."<br> <b>--Chris Pavone, <i>New York Times</i> bestselling author of <i>The Expats</i></b> <p/>An absolute knockout. <i>Love and Theft</i> is the tightly plotted, brilliantly entertaining, stay-up-all-night thriller I've been waiting for. Stan Parish delivers on every level.<br><b>--Cristina Alger, <i>New York Times</i> bestselling author of <i>The Banker's Wife</i> and <i>Girls Like Us</i> </b> <p/><i>Love and Theft</i> is the caper thriller we've all been waiting for--lean, sophisticated, ice-cold, endlessly surprising. What took it so long to get here?<br> <b>--Lincoln Child, #1</b> <i><b>New York Times</b> </i><b>bestselling author</b> <p/>"A suave thriller... Parish writes delicious dialogue, by turns droll, sexy and menacing, in this whip-smart, wild ride with no loose ends.<br><b><i>--NJ Monthly</i></b> <p/>Parish has crafted one of the strongest contributions in recent memory to a genre much-beloved here at <i>CrimeReads</i> the heist novel... Parish manages to weave together genuinely compelling arcs of crime and complicated human entanglements.<br><b><i>--CrimeReads</i></b> <p/>...like Don Winslow, Parish is both a hard-bitten storyteller and a very good writer. A drug-altered scene liquefies and darkens like sugar over heat. And the plot heats up just right. A hard-boiled thriller that's equally good at love and theft.<br><b><i>--Kirkus</i></b> <p/>Well-developed characters, relentless pacing, palpable levels of tension throughout, and a notable closing twist make this a winner. Parish is a thriller writer to watch.<br><b>--<i>Publishers Weekly</i></b> <p/>This is one of the best novels of the year thus far, worthy of your time, money and undivided attention . . . <i>Love and Theft</i> will make you want to be a thief when you grow up. It's that good.<br><b><i>--Book Reporter</i></b> <p/>Old-fashioned escapism in the form of a classic crime caper. A high-octane Las Vegas jewel heist, a drug cartel closing in, hard-partying protagonists drinking away their pasts, all articulated in pacey staccato dialogue against a backdrop of pool parties, Mexican beach retreats and Mediterranean marinas. For those who like their beach reads hard-boiled and fast-paced.<br><b><i>--Robb Report</i></b> <p/><i>Love and Theft</i> is the kind of thriller I was afraid people had stopped writing: a novel that's as taut as it is elegant, as ruthless as it is big-hearted. Parish has brought back the ice-cold crime capers of decades past with panache. Try to put it down after ten pages--I dare you.<br><b>--John Fram, author of</b> <b><i>The Bright Lands</i></b><br><p/><br></br><p><b> About the Author </b></p></br></br>STAN PARISH is the former editor-in-chief of <i>The Future of Everything</i> at <i>The Wall Street Journal</i> and the author of the novel <i>Down the Shore</i>. His writing has appeared in in <i>GQ</i>, <i>Esquire</i>, <i>Surface</i>, <i>The New York Times</i>, and <i>The New York Times Magazine</i>, among other publications. He holds a brown belt in Brazilian Jiu Jitsu and lives in Los Angeles.
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