<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><b>The debut novel of <i>New York Times</i> bestselling author Jonathan Franzen, the author of <i>Crossroads</i>, <i>The Twenty-Seventh City</i> is "a startling, scathing first novel about American ambition, power, politics, money, corruption and apathy" (<i>People</i>).</b> <p/>St. Louis, Missouri, is a quietly dying river city until it hires a new police chief: a charismatic young woman from Bombay, India, named S. Jammu. No sooner has Jammu been installed, though, than the city's leading citizens become embroiled in an all-pervasive political conspiracy. A classic of contemporary fiction, <i>The Twenty-Seventh City </i>shows us an ordinary metropolis turned inside out, the American Dream unraveling into terror and dark comedy. <p/><b>"Unsettling and visionary...A book of memorable characters, surprising situations, and provocative ideas."--<i>The Washington Post</i></b> <p/><b>"An imaginative and riveting examination of our flawed society...A rare blend of entertainment and profound social commentary."--<i>Chicago Sun-Times</i></b></p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>"A novel so imaginatively and expansively of our times that it seems ahead of them." --<i>Richard Eder, The Los Angeles Times</i> <p/>"A startling, scathing first novel about American ambition, power, politics, money, corruption and apathy." --<i>Jeff Jarvis, People</i> <p/>"Franzen has managed to put together a suspense story with the elements of a complex, multilayered psychological novel . . . A riveting piece of fiction that lingers in the mind long after more conventional potboilers have bubbled away." --<i>Peter Andrews, The New York Times Book Review</i> <p/>"Franzen goes for broke here--he's out to expose the soul of a city and all the bloody details of the way we live . . . Franzen has written a book of range, pith, intelligence." --<i>Margo Jefferson, Vogue</i> <p/>"A weird hybrid of realism and fantasy: municipal science fiction. Everything proceeds from a daring, outrageously unlikely premise." --<i>Terrence Rafferty, The New Yorker</i> <p/>"Mr. Franzen has proved with this immodestly ambitious first novel that he has talent to spare. His is a worthwhile entertainment, this picaresque tale the principal vagabond of which is its own sinuous plot." --<i>Donna Rifkind, The Wall Street Journal</i> <p/>"Unsettling and visionary . . . The Twenty-Seventh City is not a novel that can be quickly dismissed or easily forgotten: it has elements of both 'Great' and American' . . . A book of memorable characters, surprising situations, and provocative ideas." --<i>Michele Slung, The Washington Post</i> <p/>"Franzen's tour de force (to call it a 'first novel' is to do it an injustice) is a sinister fun-house-mirror reflection of urban America in the 1980s . . . There's a lot of reality out there. The Twenty-Seventh City, in its larger-than-life way, is a brave and exhilarating attempt to master it." --<i>Michael Upchurch, The Seattle Times</i> <p/>"He has the kind of ability that can take what one would have thought the most mundane of cities and render it as an utterly persuasive labyrinth of mystery and meaning." --<i>Mark Feeney, The Boston Sunday Globe</i> <p/>"An imaginative and riveting examination of our flawed society. The Twenty-Seventh City provides a rare blend of entertainment and profound social commentary." --<i>Christine Vogel, Chicago Sun-Times</i></p><br><p/><br></br><p><b> About the Author </b></p></br></br><b>Jonathan Franzen</b> is the author of five novels, including<i> The Corrections, Freedom</i>, and <i>Crossroads</i>, and five works of nonfiction, most recently <i>Farther Away</i> and <i>The End of the End of the Earth</i>, all published by Farrar, Straus and Giroux. He lives in Santa Cruz, California.
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