This Happy - by Niamh Campbell (Paperback)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>'<b>A beautiful, wry love story</b>' David Nicholls, author of ONE DAY <p/>'<b>I love this woman's writing. Golden sentences</b>' Diana Evans, author of ORDINARY PEOPLE <p/>'<b>One of the year's most beautifully written books, THIS HAPPY traces the path to womanhood of Alannah from disastrous affair to no-less-comfortable marriage and beyond'</b> The i, Best Books of 2020 So Far <p/>'<b>If you loved Sally Rooney's NORMAL PEOPLE, read this</b><b>novel</b> ... <b>Darkly</b><b>romantic</b><b>... Reminiscent of</b><b>Eimear McBride's lyrical Joycean sentences</b>' <i>Vogue</i> <p/>'T<b>he best novel I have read all year' </b><i>Sunday Business Post</i><br><i><br>I have taken apart every panel of this, like an ornamental fan. But we stayed in the cottage for three weeks only, just three weeks, because it was cut short you see - cut short after just three weeks, when I'd left my entire life behind.<br></i><br>When Alannah was twenty-three, she met a man who was older than her - a married man - and fell in love. Things happened suddenly. They met in April, in the first bit of mild weather; and in August, they went to stay in rural Ireland, overseen by the cottage's landlady. <p/>Six years later, when Alannah is newly married to another man, she sees the landlady from afar. Memories of those days spent in bliss, then torture, return to her. And the realisation that she has been waiting - all this time - to be rediscovered.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><b>Campbell writes romantic ambivalence and sexual risk with a sharpness that begs belief. Reading this razorblade of a debut I often laughed out loud-more often still shivered with recognition. A hot, ripe portrait of the recent shifts in Ireland and what it means to be a woman inside it. </b>--<i><b>Sue Rainsford, author of FOLLOW ME TO GROUND</b></i><br><br><b><i>Beautiful, strange and wholly new, Niamh Campbell's novel is the real deal</i>.</b>--<i><b>Elanor Dymott, author of EVERY CONTACT LEAVES A TRACE</b></i><br><br><b>This is an exquisite thing. A book beautiful with real, <i>lived-in</i> feelings and blustery living weather. It's profoundly atmospheric, and a brilliant treatise on memory, the fleeting movement of time and the fluid dynamics of romantic relationships. It feels at once forensic and yet deeply passionate, detached and yet profoundly moving. It's wry as fuck. It provokes the awed re-reading of sentences and paragraphs, over and over.</b>--<i><b>Danny Denton, author of THE EARLIE KING AND THE KID IN YELLOW</b></i><br><br><b>A beautiful, wry love story</b>--<b>David Nicholls, author of ONE DAY</b><br><br><b>A</b><b>triumph</b> of style... This book is made of ancient stuff. It is of the land and the landscape - replete with unashamedly ornate, arguably extraneous detail... She writes against the style du jour - sparse prose; tight, fast plots - in favour of something more <b>rich and rebellious </b>...<b> I heard tones of Joyce as I read</b> - not only in the direct references (the snot-green sea, Alannah's remark: 'he was my epiphany') - but also in the muscular, myth-laden prose... <b>It is the best novel I have read all year. It snuck up on me like a ghost in the night. It spoke on a different frequency</b>--<i><b>Sunday Business Post</b></i><br><br><b>Beautiful, strange and wholly new</b>, Niamh Campbell's novel is <b>the real deal</b>--<b>Elanor Dymott, author of EVERY CONTACT LEAVES A TRACE</b><br><br><b>I love this woman's writing. Golden sentences</b>--<b>Diana Evans, author of ORDINARY PEOPLE</b><br><br><b>If you loved Sally Rooney's NORMAL PEOPLE, read this</b><b>novel</b> ... <b>Darkly</b><b>romantic</b> ... The moral ambiguities (and irreconcilable power struggles) inherent in the relationship are familiar territory for fans of CONVERSATIONS WITH FRIENDS, but in many ways, the prose is less reminiscent of Rooney's clipped, email-honed style than of <b>Eimear McBride's lyrical Joycean sentences</b>--<i><b>Vogue</b></i><br><br><b>One of the year's most beautifully written books</b>, THIS HAPPY traces the path to womanhood of Alannah from disastrous affair to no-less-comfortable marriage and beyond--<i><b>The i, Best Books of 2020 So Far</b></i><br><br><b>Superb</b>... <b>a powerful exploration of sex, relationships, and the past's influence on the present</b> ... The brutally honest examination of Alannah's flawed motivations will no doubt lead to comparisons between Campbell and fellow young Irish writers <b>Naoise Dolan </b>and <b>Sally Rooney</b>--<i><b>Hot Press</b></i><br><br><b>Superb</b>... This is a novel of psychological texture... Campbell can turn a sensory phrase... its opulent unhappiness is <b>something to enjoy</b>--<i><b>The Sunday Telegraph</b></i><br><br>An <b>intense</b>, <b>evocative</b> read--<i><b>Irish Country Magazine</b></i><br><br>Campbell evokes vivid nostalgia with her clear-eyed prose that is a compelling combination of <b>candid</b><b>and droll</b>--<i><b>BOOK RIOT, Best Books of Summer 2020</b></i><br><br>I tore through <i>This Happy </i>over the course of one sticky day. The story of a woman reflecting on the claustrophobic end of a past affair, it's <b>sharp and bracing, with language almost balletic in its intensity</b>.--<b>Sophie Mackintosh</b><br><br>She has already been compared with writers such as <b>Eimear McBride</b>, <b>Ali Smith</b> and <b>Claire Louise Bennett</b>, and indeed Niamh Campbell's debut novel does add a distinctive new voice to Irish literature... <b>Witty, fiery, wistful and even shocking, with engrossing heady prose</b>, Campbell's style is unique--<i><b>Irish Independent</b></i><br><br>The novel gets its energy from the <b>sour kick</b> to its <b>intelligently</b><b>disaffected</b> narration, as Campbell pins down fleeting impressions from a life <b>textured by memory</b>--<i><b>Daily Mail</b></i><br><br>The quality of <b>the writing is top-notch</b>. Page after page of astute, deft observations ... Campbell holds her own against her contemporaries, writers like <b>Claire-Louise Bennett, Sally Rooney, Nicole Flattery</b>, who have set a high bar at home and abroad for fast-paced, truth-laced fiction ... THIS HAPPY is <b>a layered and vibrant debut </b>... full of sensual, offbeat descriptions--<i><b>Irish Times</b></i><br><br>The story of this relationship is interweaved with the present so closely that it feels almost overlaid, <b>reading convincingly like a memory</b> ... <b>An exhilarating story</b>--<i><b>The Sunday Times</b></i><br><br>There are impressively toe-curling set pieces detailing awkward encounters between families... Campbell's <b>language is striking</b>--<b>John Self</b>, <i><b>The Spectator</b></i><br><br>This is an <b>exquisite</b> thing. <b>A book beautiful with real, lived-in feelings</b> and blustery living weather. It's profoundly atmospheric, and a brilliant treatise on memory, the fleeting movement of time and the fluid dynamics of romantic relationships. It feels <b>at once forensic and yet deeply passionate</b>, detached and yet profoundly moving. It's wry as fuck<b>. It provokes the awed re-reading of sentences and paragraphs, over and over</b>--<b>Danny Denton, author of THE EARLIE KING AND THE KID IN YELLOW</b><br><br>We are offered <b>a dazzling array of thoughts</b> on the mute choreography of human relationships, the piercing solitude of romantic endeavour, the melancholy and longing that overtakes middle-aged men (a condition they always believe to be original), and the unbidden arrival of the truth of our once-mysterious behaviour... Campbell leads us to these insights with <b>freshness and resonance</b>... <b>Such evocative prose</b> ... The ghosts of our past might refuse to go away. But, as this book so stirringly shows, you can write them into edifying life--<i><b>The i</b></i><br><p/><br></br><p><b> About the Author </b></p></br></br>Niamh Campbell holds a PhD in English literature from King's College London and works as a postdoctoral fellow for the Irish Research Council at Maynooth University. Her short fiction and essays have appeared in The Dublin Review, 3: AM Magazine, The Penny Dreadful, Banshee, gorse, and the collection Autonomy (New Binary Press, 2018), published in aid of the campaign to repeal the eighth amendment in Ireland. She was awarded a 'Next Generation' literary bursary by the Arts Council of Ireland in 2016, and an annual literary bursary in 2018. She is based in Dublin
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