Giambattista Bodoni - by Valerie Lester (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br>A lively, lavishly illustrated biography of the great printer Bodoni, vividly describing his work, life, and times while justifying his reputation as the "prince of typographers." The first English bio of the ambitious and incomparable printer Giambattista Bodoni (1740-1813). Born to a printing family in the small town of Saluzzo, he left his comfortable life to travel to Rome in 1758 where he served as an apprentice of Cardinal Spinelli. There, under the sponsorship of Ruggieri, his close friend, mentor, and protector, he learned all aspects of the craft. Even then, his real genius, lay in type design and punchcutting, especially of the exotic foreign alphabets needed by the papal office to spread the faith. His life changed when at age 28 he was invited by the Duke of Parma to establish and direct the ducal press. He remained in Parma, overseeing a vast variety of printing, much of it glorious. And all of it making use of the typefaces he personally designed and engraved.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><b>A lively, lavishly illustrated biography of the great printer Bodoni, vividly describing his work, life, and times while justifying his reputation as the "prince of typographers."</b> <p/>This is the first English-language biography of the relentlessly ambitious and incomparably talented printer Giambattista Bodoni (1740-1813). Born to a printing family in the small foothill town of Saluzzo, he left his comfortable life to travel to Rome in 1758 where he served as an apprentice of Cardinal Spinelli at the Propaganda Fide press. There, under the sponsorship of Ruggieri, his close friend, mentor, and protector, he learned all aspects of the printing craft. Even then, his real talent, indeed his genius, lay in type design and punch-cutting, especially of the exotic foreign alphabets needed by the papal office to spread the faith. <p/>Bodoni's life changed when in 1768 at age 28 he was invited by the young Duke of Parma to abandon Rome for that very French city to establish and direct the ducal press. He remained in Parma, overseeing a vast variety of printing, some of it pedestrian, but much of it glorious. And all of it making use of the typefaces he personally designed and engraved. <p/>This book goes beyond Bodoni's capacity as a printer; it examines the life and times in which he lived, the turbulent and always fragile political climate, the fascinating cast of characters that enlivened the ducal court, the impressive list of visitors making the pilgrim- age to Parma, and the unique position Parma occupied, politically Italian but very much French in terms of taste and culture. Even the food gets its due (and in savory detail). The illustrations--of the city, of the press, of the types and matrices--are compelling enough, but most striking are the pages from the books he designed. And especially, pages from his typographic masterpiece, the <b>Manuale Tipografico</b>, painstakingly prepared by his wife Ghitta, posthumously published in two volumes, and displaying the myriad typefaces in multiple sizes that Bodoni had designed and engraved over a long and prolific career. <p/>Intriguing, scholarly, visually arresting, and designed to Bodoni's standards, this title belongs on the shelf of any bibliophile. It not only makes for compelling reading, it will be considered the biography of record of a great printer for years to come.</p>
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