<p/><br></br><p><b> From the Back Cover </b></p></br></br>This book is a contribution to the emerging field of <i>research-based performance</i>, which seeks to gain a wider audience for issues that are crucial to our understanding of history and, going forward, to inform our future actions. The book examines the role of theater in portraying topics related to the Holocaust and its aftermath: the Shoah in France, the French Resistance, and the conflicted situation between Israel and the occupied Palestinian territories. Each of the three chapters consists of an original dramatic work by the author and an accompanying critical essay. Presented in this unique way, the essays and plays are intended to bring history alive to students in a way that scholarly discussion alone cannot achieve.<p/><br></br><p><b> About the Author </b></p></br></br>Inez Hedges is Professor Emerita at Northeastern University, USA. Among many other courses, she taught graduate courses on the Holocaust and an undergraduate course on France during the German occupation. In 2006-7 she collaborated with the Department of Theatre at Northeastern to create an Advanced Undergraduate Learning Community around the themes of the present book. In 2006-9 she was appointed Stotsky Professor of Jewish Historical and Cultural Studies in order to pursue the research that led to the present book project. Her previous publications include <i>Languages of Revolt: Dada and Surrealist Literature and Film</i> (1983); <i>Breaking the Frame: Film Language and the Experience of Limits</i> (1991); <i>Framing Faust: 20<sup>th</sup> Century Cultural Struggles</i> (2005); and <i>World Cinema and Cultural Memory</i> (2015).
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