Marcel Tabuteau - by Laila Storch (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>Blending archival research with personal anecdotes, and including access to rare recordings of Tabuteau and Waldemar Wolsing, Storch tells a remarkable story in an engaging style.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>Laila Storch is a world-renowned oboist in her own right, but her book honors Marcel Tabuteau, one of the greatest figures in twentieth-century music. Tabuteau studied the oboe from an early age at the Paris Conservatoire and was brought to the United States in 1905, by Walter Damrosch, to play with the New York Symphony Orchestra. Although this posed a problem for the national musicians' union, he was ultimately allowed to stay, and the rest, as they say, is history. Eventually moving to Philadelphia, Tabuteau played in the Philadelphia Orchestra and taught at the Curtis Institute of Music, ultimately revamping the oboe world with his performance, pedagogical, and reed-making techniques.</p><p>In 1941, Storch auditioned for Tabuteau at the Curtis Institute, but was rejected because of her gender. After much persistence and several cross-country bus trips, she was eventually accepted and began a life of study with Tabuteau. Blending archival research with personal anecdotes, and including access to rare recordings of Tabuteau and Waldemar Wolsing, Storch tells a remarkable story in an engaging style. </p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>[This biography is] movingly personal . . . . may prove to be one of the most accomplished and important musical biographies of the 21st century.8/1/10</p>--Christopher Brodersen "Fanfare"<br><br><p>Laila Storch . . . is generous in her admiration of [Marcel Tabuteau's] compelling artistry. She has produced a monumental tribute to an extraordinary musician whose influence remains alive in each generation of American oboists.87 Summer 2009</p>--Anthony McColl "Double Reed News"<br><br><p>Laila Storch's biography of Marcel Tabuteau provides a detailed and intimate portrait of the life and artistry of the man widely considered to be the father of the American school of oboe playing. Vol. 33, No. 2, Summer 2010</p>-- "The Double Reed"<br><br><p>Storch's intriguing book will appeal to a broad audience, not just oboists. Anyone interested in music will find Tabuteau's philosophies and Storch's research beneficial and applicable.January 2009</p>-- "Choice"<br><br><p>This book will be informative, interesting, and beneficial for anyone who is involved with the performance of music in the United States, whether in the field or in academe.June 2009</p>--Lois Kuyper-Rushing "Louisiana State University"<br><p/><br></br><p><b> About the Author </b></p></br></br><p>Laila Storch is Professor Emerita of Oboe at the University of Washington School of Music and a graduate of the Curtis Institute of Music, where she studied with Marcel Tabuteau.</p>
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