<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><strong>The first thorough look at Mike Kelley's riotous, irreverent and colorful paintings</strong></p><p>Featuring paintings from series that span a 15-year period, 1994 through 2009, this volume traces Mike Kelley's (1954-2012) engagement with the medium through bodies of work including <i>The Thirteen Seasons (Heavy on the Winter)</i>, a series of oval-shaped paintings on wood; <i>Timeless Painting</i>, which marked Kelley's distinct return to painting in color, and which he described as mannerist take-offs on Hans Hofmann's compositional theory of 'push and pull'; the <i>Horizontal Tracking Shots</i> series; as well as works made under the umbrella of his expansive and ambitious <i>Extracurricular Activity Projective Reconstructions</i>, a series related to the <i>Educational Complex</i> artwork. <p/>Kelley's seminal mixed-media installation <i>Profondeurs Vertes</i>, his ode to the influential paintings in the collection of the Detroit Institute of Arts that captivated him as a young person, is also featured. <p/>The publication includes texts by various contemporary visual artists responding to Kelley's art: Edgar Arceneaux, Carroll Dunham, Daniel Guzmán, Richard Hawkins, Jay Heikes, Jamian Juliano-Villani, Mary Reid Kelley, Christina Quarles and Laurie Simmons. </p>
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