The European Avant-Gardes, 1905-1935 - by Sascha Bru (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br><p>Clearly written, this book shows readers and students of modernism how and why the avant-gardes were a major force in modern art and culture.</p><p/><br></br><p><b> Book Synopsis </b></p></br></br><p><strong>Introduces the full range and depth of the early 20th-century European avant-gardes</strong></p> <p>This engaging introduction outlines the cultural and political contexts in which the avant-gardes operated, taking readers on a journey throughout the whole of Europe. It discusses the most salient features of the avant-gardes' work in all the arts, succinctly surveys the major avant-garde movements (cubism, futurism, expressionism, Dadaism, constructivism and many other -isms) and demonstrates the ways in which they transformed the face of all modern art forms. Clearly written, this book shows readers and students of modernism how and why the avant-gardes were a major force in modern art and culture.</p> <p><strong>Key Features</strong></p> <ul> <li>An up-to-date and thorough guide to the 'classic' European avant-gardes, from 1905 to 1935</li> <li>Covers all the arts practiced by the classic European avant-gardes - from painting and film, literature and sculpture, architecture and photography to theatre, dance and music - focusing on the specificity of each art form as well as on what united them </li> <li>Includes text-boxes, 100 illustrations, many in colour, and a user-friendly index/glossary</li></ul><p/><br></br><p><b> From the Back Cover </b></p></br></br>'This "portable guide" - succinct but never superficial, precise but never pedantic, may well be the one indispensable book on the European Avant-Garde movements. Bru's concluding speculations on the future of the avant-garde and its various theorists is especially welcome. A brilliant study!' Marjorie Perloff, Stanford University The early twentieth-century avant-gardes (cubism, futurism, expressionism, Dadaism, constructivism and many other -isms) to a large extent define modern art and writing. Yet even today avant-garde works strike many as strange or difficult. How do we properly read a futurist painting or a Dada sound poem? What is the difference between cubist and constructivist architecture? What made the avant-gardes so vital as well to the arts of dance and theatre, film and music, photography and sculpture? This engaging and insightful introduction is designed to answer all these questions and more. It sketches the complex context in which the avant-gardes operated, taking readers on a journey throughout the whole of Europe, from London to Moscow, and back. Clearly written, this book aims to encourage all students of modernism and of the modern arts to appreciate the breath and richness of Europe's now classical avant-gardes. Sascha Bru teaches general and comparative literature at the University of Leuven. He is author or editor of over a dozen books on the European avant-gardes and modernisms.<p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>"An impressive <i>tour de force</i> which will be welcomed by everyone with an interest in the history of the avant-garde. This book will serve both as introductory survey and an extremely useful tool for teaching. But it is so much more than that. What sets this book apart are perhaps three things: the author is intimately familiar with sources in different languages and cultures; he wears his knowledge and scholarship lightly; and he allows his subject - the European avant-gardes - to dictate the methods and approaches, so that this book genuinely embodies a rigorous, and far from capricious, pluralism."</p> <p></p>--Andreas Kramer, Goldsmiths, University of London "Arcadia "<br><br><p>"Sascha Bru's <i>The European Avant-Gardes, 1905-1935: A Portable Guide</i> offers a highly readable, consistently informative, and, it should be said, unerringly successful description of the rise to prominence (if that is the right word) of an ersatz group of artists and writers who set out to either make sense of, or fundamentally critique, a Europe that was undergoing considerable historical, cultural, geographical, economic, and, perhaps above all, political transformation in the early decades of the twentieth century. Scholars who are relatively early on in their engagement with the avant-gardes could not ask for a better place to start their research, and those who have been working in and around this field for many years will find much that is new, edifying, and energising in Bru's eclectic and expansive approach. I cannot imagine a reader of this book who will not learn a considerable amount about the field under consideration, and I cannot imagine a writer better than Bru, whose career to date has been steeped in a critical exposition of the avant-garde, to guide us through this tangled, multi-media, vaguely networked and always arresting field of inquiry."</p> <p></p>--Robert Brazeau, University of Alberta "The Modernist Review "<br><br><p>"The publisher calls it an "introduction" to the works, the authors, the currents, and the contexts of the European avant-gardes in the period 1905-1935. But this is really not the best word to qualify the "portable guide" proposed by one of the leading voices in the field. This book is not just a suitcase that one opens to find answers to specific queries (the very detailed index will prove very useful in this regard), it is also a door that one can open to discover new or never thought-of questions, less known or never disclosed examples (and here the exceptional iconography is vital), and simply enjoy the writing, a perfect mix of intellectual sympathy and critical distance."</p> <p></p>--Jan Baetens, University of Leuven "Cultural Studies Leuven "<br><p/><br></br><p><b> About the Author </b></p></br></br><p>Sascha Bru is professor at the Faculty of Arts of the University of Leuven (Belgium). He has produced over a dozen books on European avant-gardes and modernisms, including <i>Democracy, Law and the Modernist Avant-Gardes: Writing in the State of Exception</i> (EUP, 2009) and the co-edited volume <i>The Oxford Critical and Cultural History of Modernist Magazines: Europe, 1880-1940</i> (OUP, 2016).<p>
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