<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>1. Introduction: Technicity and the American Techno-city</b><p> The Technological <i>Entrepôt</i></p> <p><i> </i>The Poem Machine</p> Technicity, Feminism and the Posthuman<p></p> <p> Gender, Poetry and the Techno-City</p> <p> </p> <p><b>2 Let's Go Shopping</b></p> <p><b> </b>Shopping the Feminine in <i>Rogue </i>Magazine</p> <p> Women, Consumerism and New York</p> <p> Selling the Subject</p> <p> </p> <p><b>3 Amusing Spaces</b></p> <p> Amusement Parks</p> <p> Bohemia</p> <p> Black Metropolis</p> <p><b> </b></p> <p><b>4 Dancing Bodies</b></p> <p><b> </b>Dancing Machines and Isadora</p> <p> Spectacle, Dance and the Non-Human</p> <p>Dancing Across Modernity</p> <p> </p> <p><b>5 Feminine Projections</b></p> <p><b> </b>Stars and Vamps</p> <p> Modernist Women in <i>Close Up</i></p> <p><i> </i>The Camera Eye, Politics and Hollywood</p> <p><b> </b></p> <p><b>6 Sound Machines</b></p> <p> Electro-Acoustic Sound, Noise and the Techno-City</p> <p> Broadcasting Stein</p> <p> Women Writing Radio</p> <p> </p> <p><b>7 Epilogue: Digital Humanities and Posthuman Feminist Modernism</b></p> <p><b> </b></p><p/><br></br><p><b> From the Back Cover </b></p></br></br><p><i>Modernist Poetry, Gender and Leisure Technologies: Machine Amusements </i>explores how modernist women poets were inspired by leisure technologies to write new versions of the gendered subject. Focusing on American women writers and particularly on the city of New York, the book argues that the poetry of modernist women that engages with, examines or critiques the new leisure technologies of their era is fundamentally changed by the encounter with that technology. The chapters in the book focus on shopping, advertising, dance, film, radio and phonography, on city spaces such as Coney Island, Greenwich Village and Harlem, and on poetry that embraces the linguistic and formal innovations of modernism whilst paying close attention to the embodied politics of gender. The technologized city, and the leisure cultures and media forms emerging from it, enabled modernist women writers to re-imagine forms of lyric embodiment, inspired by the impact of technology on modern ideas of selfhood and subjectivity. </p><p/><br></br><p><b> About the Author </b></p></br></br><p><b>Alex Goody </b>is Professor of Twentieth-Century Literature and Culture at Oxford Brookes University, UK.</p>
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