Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness - (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br><i>Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness</i> features over ninety of Muholi's evocative self-portraits, each image drafted from material props in Muholi's immediate environment. These portraits reflect the journey, self-image, and possibilities of a black woman in today's global society. With more than twenty written contributions from curators, poets, and authors, alongside luxurious tritone reproductions of Muholi's images, this title is as much a manifesto of resistance as it is an autobiographical, artistic statement.<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>"These feel like images you might have dreamed, both of the kind that slip away and the ones you manage to keep tenuously in your grasp, slippery, otherworldly. . . . Before our eyes, Zanele Muholi transforms into a mother, a domestic worker, an Afrofuturist, an oracle. It's fiction and it is not."--Yrsa Daley-Ward, <i>The New York Times Book Review</i></b> <p><br><i>Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness</i> is the long-awaited monograph from one of the most powerful visual activists of our time. The book features over ninety of Muholi's evocative self-portraits, each image drafted from material props in Muholi's immediate environment. A powerfully arresting collection of work, Muholi's radical statements of identity, race, and resistance are a direct response to contemporary and historical racisms. As Muholi states, "I am producing this photographic document to encourage individuals in my community to be brave enough to occupy spaces--brave enough to create without fear of being vilified. . . . To teach people about our history, to rethink what history is all about, to reclaim it for ourselves--to encourage people to use artistic tools such as cameras as weapons to fight back." <p/>With more than twenty written contributions from curators, poets, and authors, alongside luxurious tritone reproductions of Muholi's images, <i>Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness</i> is as much a manifesto of resistance as it is an autobiographical, artistic statement.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"The first thing to note about <i>Zanele Muholi: Somnyama Ngonyama: Hail the Dark Lioness</i> is that it begins before you open it. The striking cover portrait itself--"Ntozakhe II, Parktown, Johannesburg," from 2016--demands ample time to be taken in...This is how the book starts on you, its front and back cover working together to prepare you for what lies within. A hint at its insides."--Yrsa Daley-Ward, <i>The New York Times Book Review</i><br>
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