<p/><br></br><p><b> About the Book </b></p></br></br>Its central plot involves the many ways in which novels and novel reading were viewed--especially by novelists themselves--as both causes and symptoms of rotting minds and moral decay among nineteenth-century readers.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>[Brantlinger's] writing is admirably lucid, his knowledge impressive and his thesis a welcome reminder of the class bias that so often accompanies denunciations of popular fiction. --Publishers Weekly</p><p>Brantlinger is adept at discussing both the fiction itself and the social environment in which that fiction was produced and disseminated. He brings to his study a thorough knowledge of traditional and contemporary scholarship, which results in an important scholarly book on Victorian fiction and its production. --Choice</p><p>Timely, scrupulously researched, thoroughly enlightening, and steadily readable. . . . A work of agenda-setting historical scholarship. --Garrett Stewart</p><p>Fear of mass literacy stalks the pages of Patrick Brantlinger's latest book. Its central plot involves the many ways in which novels and novel reading were viewed--especially by novelists themselves--as both causes and symptoms of rotting minds and moral decay among nineteenth-century readers. </p><p/><br></br><p><b> About the Author </b></p></br></br><p>PATRICK BRANTLINGER is professor of English and Victorian Studies at Indiana University. He served for ten years as editor of Victorian Studies and is author of The Spirit of Reform: British Literature and Politics, 1832-1867 (1977), Bread and Circuses: Theories of Mass Culture as Social Decay (1983), Rule of Darkness: British Literature and Imperialism (1988), and Fictions of State: Culture and Credit in Britain, 1694-1994 (1997).</p>
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