Family Matters - (Vintage International) by Rohinton Mistry (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>Set in Bombay in the mid-1990s, "Family Matters" tells a story of familial love and obligation, of personal and political corruption, of the demands of tradition and the possibilities for compassion.<p/><br></br><p><b> Book Synopsis </b></p></br></br>Rohinton Mistry's enthralling novel is at once a domestic drama and an intently observed portrait of present-day Bombay in all its vitality and corruption. At the age of seventy-nine, Nariman Vakeel, already suffering from Parkinson's disease, breaks an ankle and finds himself wholly dependent on his family. His step-children, Coomy and Jal, have a spacious apartment (in the inaptly named Chateau Felicity), but are too squeamish and resentful to tend to his physical needs. <p/>Nariman must now turn to his younger daughter, Roxana, her husband, Yezad, and their two sons, who share a small, crowded home. Their decision will test not only their material resources but, in surprising ways, all their tolerance, compassion, integrity, and faith. Sweeping and intimate, tragic and mirthful, <b>Family Matters</b> is a work of enormous emotional power.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"Mistry harks back to the 19th-century novelists. . . . The reader is moved, even to tears." - John Updike, <i>The New Yorker</i> <p/>"[Mistry] needs no infusion of magical realism to vivify the real. The real world, through his eyes, is magical." <i>- The New York Times <p/></i>"Mistry . . . solidifies his standing as one of the world's finest authors . . . Come to [this book] with the anticipation or foreboding you'd bring to a letter from home. You'll be rewarded luxuriously." <i>- The Seattle Times</i> <p/> "Mistry [is] a giant of a writer. . . . [an] almost perfect example of the storyteller's art." <i>- Chicago Tribune</i> <p/>"Mistry writes with a patient attention to language, structure, and detail reminiscent of. . . .Tolstoy and Tagore... His greatest strength lies in depicting the human heart, in all its longing and imperfection, with unsentimental tenderness." -<i>San Francisco Chronicle</i> <p/>"Worthy of the 19th-century masters." -<i>Time</i> <p/>"Subtle and true . . . His evocation of the streets and sounds of jostling Bombay is almost painfully alive." -<i>New York Review of Books</i> <p/>"Rohinton Mistry is not a household name, but it should be. . . . he ought to be considered simply one of the best writers, Indian or otherwise, now alive. . . . Major writers differ from minor ones. . . in their ability to handle the big questions: death, family, the passing of time, the inevitability of loss, God or the corresponding God-shaped hole. Mistry handles all of them in an accomplished style entirely his own." -<i>The Atlantic</i> <p/>"Mistry's prose is expansive, generous to its characters and ample in story. . . . Frequently clear-eyed, courageous and deeply entertaining."-<i>The Oregonian<br></i><br>"As much a tribute to the spirit of Bombay as it is a portrait of domestic life in modern India. . . . Mistry's quiet sense of humor enlivens the story and makes it a delight to follow." -<i>Baltimore Sun <p/></i>"Imagine a 19th-century realist sensibility probing the abiding mysteries of India in our time. Leo Tolstoy meets R. K. Narayan. . . . Mistry's compassion for [his] people is boundless." -<i>Newsday</i> <p/>"A wonderfully perceptive and sometimes hilarious exploration of the complexities of family life. . . . A novel of great wisdom, beauty and power-a book to be treasured."-<i>Buffalo News</i> <p/> "Almost Tolstoyan in registry and range . . . To say Mistry captures the textures of India well and creates larger-than-life characters is to note the least of his achievements." -<i>The Observer</i> (London) <p/>"As compelling and rich as either of Mistry's other novels . . . the world in a two-room flat. . . . Mistry depicts the sort of family love that grounds us in the world." -<i>Globe & Mail</i> <p/>"Stealthily, even movingly, Mistry reveals small triumphs of humanity over distaste, minute shifts that signal leaps of compassion." -<i>The Guardian </i>(UK) <p/>"Mistry has created a meticulously evoked, deliberately paced portrait of decay and ruin. . . . It is not a pretty picture, but Mistry makes it warmhearted and stirring all the same." -<i>Time Out New York</i><br><p/><br></br><p><b> About the Author </b></p></br></br>Rohinton Mistry was born in Bombay and now lives near Toronto. His first novel, <b>Such a Long Journey</b><i>, </i>received, among other awards, the 1992 Commonwealth Writers Prize for Best Book of the Year. In 1995, <b>A Fine Balance</b><i> </i>won the second annual Giller Prize and, in 1996, the <i>Los Angeles Times </i>Book Prize for Fiction. Mistry is also the author of <b>Swimming Lessons</b><i>, </i>a collection of short stories.
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