<p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>John Beall<strong> </strong>counsels his reader to "curl your dreams from coral," and that is what he, himself, does in <em>Self-Portraits</em>. With language both suggestive and candid, Beall draws the reader into the emotional depths of private life and the public events that sometimes percolate through a family's story. Through powerful juxtapositions of family moments and historical events--Beall's great grandfather draping the Lincoln house in mourning crepe in 1865; his daughter painting a self-portrait with "Joni Mitchell eyes"; and Beall at school "trying to block students' access to TV" on September 11, 2001l--Beall dares us to rethink the boundary between poetry and memoir.</p><p><strong>--Mary Catherine Harper</strong>, author of <em>Some Gods Don't Need Saints</em> and </p><p>recipient of a 2018 Ohio Arts Council Individual Excellence Award in Poetry</p><p> </p><p>John Beall's poems remind us that self-portraits are not just resemblances, but revelations of the places, loves, losses, questions that keep making us who we are. Beall evokes great teachers of seeing: his daughter with her "unadorned streaks of pencil;" his grandmother with her quilted "Quatrefoils of colored rings;" Rembrandt, with his "smudges of lust." Like them, Beall knows how to savor both the surface of his art <em>and</em> what's beneath--a pleasure he makes palpable in these keenly observed, lively, and deeply felt poems.</p><p><strong>--Lynn Powell</strong>, <em>Season of the Second Thought</em></p><br>
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