<p/><br></br><p><b> About the Book </b></p></br></br>Of the many shows at the fabled 112 Greene Street gallery--an artistic epicenter of New York's downtown scene in the 1970s--the Anarchitecture group show of March 1974 has been the subject of the most enduring discussion, despite a complete lack of documentation about it. Cutting Matta-Clark investigates the Anarchitecture group as a kind of collective research seminar, through extensive interviews with the protagonists and a dossier of all the available evidence.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><i>Cutting Matta-Clark: The Anarchitecture Investigation</i> is a detective story. It relentlessly pursues the legendary but invisible Anarchitecture Group show and Gordon Matta-Clark's celebrated, hyper-visible, yet equally misunderstood building cuts. Of all the shows at the fabled 112 Greene Street space--an epicenter of New York's downtown art scene in the 1970s--the Anarchitecture Group show of March 1974 is a constant reference point in discussion, despite the almost complete lack of evidence about it. It has become a foundational myth. Gordon Matta-Clark was supposedly the ringleader of an extended series of meetings with fellow artists that operated as a kind of collective research seminar challenging all conventional understandings of architecture. The meetings of this so-called Anarchitecture Group culminated in the exhibition as an anonymous statement in unlabeled photographs. But did it actually happen? It exists only through oblique archival traces and the conflicting memories of the participants. An unprecedented dossier of unpublished archival evidence is assembled here and subjected to ever deeper forensic analysis--cutting into both the concepts and the cuts to see what the elusive, mysterious, seductive, yet viral word Anarchitecture offers us today.</p><p>Contains interviews with Tina Girouard, Jene Highstein, Dickie Landry, Jeffrey Lew, Richard Nonas, Bernard Kirschenbaum and Susan Weil Kirschenbaum.</p>
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